Laia Marull
1973 (53 года)Te doy mis ojos
Icíar Bollaín
Laia Marull, Luis Tosar
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
Take My Eyes
La Xirgu
Sílvia Quer
Laia Marull, Fran Perea
1927. Spain under the Primo de Rivera Dictatorship. The great actress, Margarita Xirgu and her company are about to perform "Maria Pineda" by a young Federico Garcia Lorca. The Dictatorship cannot tolerate it, but the actress, Margarita Xirgu, in the name of freedom will stand her ground.
La Xirgu
Black Bread
Agustí Villaronga
Francesc Colomer, Marina Comas
In the harsh post-war years' Catalan countryside, Andreu, a child that belongs to the losing side, finds the corpses of a man and his son in the forest. The authorities want his father to be made responsible of the deaths, but Andreu tries to help his father by finding out who truly killed them. In this search, Andreu develops a moral consciousness against a world of adults fed by lies. In order to survive, he betrays his own roots and ends up finding out the monster that lives within him.
Black Bread
Fugitivas
Miguel Hermoso
Laia Marull, Beatriz Coronel
Tony is a young crook preparing for a bank robbery with her boyfriend Juanjo and their low-life partners Maxi and Moco. Right before they commit the crime, Juanjo informs Tony that his prostitute sister wants him to take her young daughter Laura to visit the girl's father, a flamenco singer in the Spanish southern coastal town of Tarifa. Juanjo persuades the initially reluctant Tony that Laura will provide the couple with a perfect cover after they relieve their partners of the robbery's earnings. Unfortunately, though the robbery comes off without a hitch, the duplicitous Juanjo absconds with the cash, making Tony and Laura fugitives both from the law and from the psychotically angry Maxi and Moco.
Fugitives
Las voces de la noche
Salvador García Ruiz
Laia Marull, Tristán Ulloa
Spain, fifties. In a town grew around a living factory Jorge (Tristan Ulloa), the youngest son of the founder, and Elisa (Laia Marull), daughter of accounting. The two live with their families and are able to endure the monotony of their lives because they spend the afternoon on Wednesdays and Saturdays at a hotel in the city. This secret life together is essential for both. The small room in the city where encounters occur has become the only place where they can be themselves. That little space, a little sinister, find it more cozy, warm and near the home of Elisa gorgeous, spoiled by the mother, or the great house of George, full of family memories. Both are aware of the type of relationship they have created, and not demand more. Until Elisa decides to break the rules.
Las voces de la noche
Mensaka
Salvador García Ruiz
Tristán Ulloa, Adrià Collado
A group of young twentysomethings face a fall in their lives undergo a major transformation when the time came to take on adult responsibilities. David is 27 and has long been working as a messenger, enough to know it's time to quit.
Mensaka
La innòcencia
Lucía Alemany
Carmen Arrufat, Sergi López
Lis is a teenager whose dream is to become a circus artist and leave her hometown, even if she knows that to do it she’ll have to fight her side against her parents. It’s summer and she spends her days playing with her friends and flirting with her boyfriend, a few years older than herself. The lack of privacy and the neighbours’ gossip force Lis to keep their relationship secret so that her parents won’t find out. A relationship which change her live forever.
The Innocence
El viaje de Arián
Eduard Bosch
Ingrid Rubio, Abel Folk
Arián, a young Basque girl, idealistic but naive, joins a ruthless terrorist gang and, hoping to prove her commitment, volunteers to participate in the kidnapping of the daughter of an important businessman.
The Journey of Arián
Pretextos
Sílvia Munt
Sílvia Munt, Ramón Madaula
Marriage of Vienna, theater director, and Daniel, a geriatric physician, is in crisis. Both cling to their professional activity to fill the void in their lives agonizing. Their worlds seem antagonistic, their needs, different. Account of the worst loneliness: loneliness in the company, and on promises unfulfilled desires can not be met, but it becomes a good excuse to continue living despite everything.
Pretextos
Razones sentimentales
Antonio A. Farré
Javier Albalá, Anna Azcona
Mario, a young and uprooted Menorcan fisherman, falls in love with Irene, a Barcelona socialite who spends her holidays on the island with her young daughter. After the ambiguous initial relationship, victim of the rumors and slander, she decides to leave him. Mario, unable to resign himself, follows her to Barcelona, where he finds her imprisoned in a marriage lacking in love, in which her husband, a rich and powerful industrialist related to shady business, holds her under the threat of separating her from her daughter.
Razones sentimentales
Oculto
Antonio Hernández
Laia Marull, Leonardo Sbaraglia
At a conference of dream interpretation, the lives of three people will become inescapably entangled: Beatriz, hired to do public relations for the conference; Alex, a writer for an Internet publication covering the event; and Natalia, an audience member whose revelation of her dream sets off a chain of events that brings together these three otherwise disparate characters. The Hidden is about those unseen, largely unknowable forces that seem to surround us and define our lives. Natalia’s dreams might be expressions of her fears and anxieties, but perhaps they could be messages from some beyond. For Beatriz, what’s “hidden” may be less supernatural than emotions she can barely express or control. Antonio Hernandez deftly navigates the lives and feelings of these three characters, gradually peeling away their self-deceptions and delusions until there’s a remarkable and unexpected final revelation.
The Hidden
La madre
Alberto Morais
Laia Marull, Nieve de Medina
Miguel is a 14-year-old kid about to go back to a centre for minors. His mother, out of work and with an unstable personal life, is incapable of taking care of him. This is why Miguel lives in a state of constant urgency, doing the housework, selling Kleenex or stealing from supermarkets. All this ends when Social Services come for him again, and his mother makes him seek refuge in the house of Bogdan, a Rumanian ex-lover of hers who lives in a nearby town. At the same time, María, the owner of a bar, sympathizes with the boy and gives him the virtually maternal treatment that he does not get in his own home. However, everything is thrust forward when the mother suddenly disappears
La madre
"9"
Candela Peña
Elena Anaya, Francisco Boira
A group of people talk about very different subjects, including a strange course that one of them has just completed. There is tension in the air, although it is not quite clear why. They give the impression that they are killing time while waiting for a job that everyone needs for different reasons. Are they actors looking for a role?
"9"
