Adamo Vergine

Dei

Tonino De Bernardi

Mariella Navale, Pia Epremian

The construction of the film is very simple. Most of the time we see faces in close-up. Three pairs of faces, usually, on three different levels of superimpositions. At first, the faces are very theatrical, made-up. It's not clear whether they are men or women. They move only slightly. They are, indeed, godlike. As the film progresses, very unnoticeably, these faces begin to gain more life and masculine and feminine qualities. At the end of the film, after three hours, the faces are very real, and very human, and sexes and ages are very clearly defined: men, women, children.

Es-pi'azione

Adamo Vergine

Ciao ciao

Adamo Vergine

Experimental film about people walking away from and towards the camera.

Resurrezione

Tonino De Bernardi

Joana Preiss, Giovanna Giuliani

The film is a rendition of Resurrection, Tolstoy’s last novel. It begins with a reading of the beginning of the first part in Naples, in September 2012. It moves on to Berlin, Locarno 2013, Oneglia, Paris, Casalborgone, and it ends in Milan with the beginning of the second part. The places and times change, and so do the people doing the reading. But also, in the middle, real people and voices surface, like Adamo Vergine at his home and Jean François Neplaz in Marseilles. The film searches for the possible faces of Tolstoy’s two protagonists in Oneglia, Procida, and Casalborgone.

Lune

Tonino De Bernardi

Adamo Vergine, Angela Rolando

Lune (Moons) is a fragment from Cronache del sentimento e del sogno (Chronicles of the Sentiment and the Dream) and consists of a series of images-in-images of faces and bodies. It is a study of the significance of the face, movement and the character of (photographic) light.