Josh Weissbach

the remains of seventeen artefacted flares

Josh Weissbach

For All Audiences

Josh Weissbach

A trailer of an experiment searches for meaning in a moldy montage. The detritus of the movie industry swims in organic material.

theoria

Josh Weissbach

A Greek man, once a guide on the island of Delos, started discussing what the word theory meant with filmmaker Josh Weissbach. The ensuing conversation was the initial inspiration for this film, entitled THEORIA.

To All Those

Josh Weissbach

To All Those is a symphony by Josh Weissbach capturing a city from the perspective of commuter-dreamers, and all that unfolds in lone untethered thought. Through ambient sound and the slow textured images of an American cityscape, Weissbach creates a non-place, a site and rhythm that communicates the freedom of movement and practical pleasure of travel itself.

601 Revir Drive

Josh Weissbach

A series of spatial limits are defined while a maker imbibes. Interdependence is inherited after a substance cannot be shook. An animal carefully guards an outlined space as a river runs backwards.

A Landscape to be Invented

Josh Weissbach

Other than the ocean, the rest of the planet was bathed in purple, which was due to the colour of the vegetation. The change in the sun’s radiation had probably caused the plants to evolve as they adapted to the new light.

106 River Road

Josh Weissbach

In this short film shot in 2011 from the on-going series "The Addresses", filmmaker Josh Weissbach reads aloud from the court docket of a domestic dispute case over footage of the residence in question. As Weissbach reads dryly from the document, including all punctuation and identifying information, the details of the case are revealed. The narrative, the narrator, and the film of the house itself become over exposed as Weissbach continues to read. The house becomes more obscured and the footage more frantic as the relationship between film and filmmaker is clarified.

Model Fifty-One Fifty-Six

Josh Weissbach

The physical changes of the maker’s heart since being born with the congenital disorder, Transposition of the Great Vessels, are displayed in MODEL FIFTY-ONE FIFTY-SIX. This chronicle showcases a movement from human to cyborg that connects personal vulnerability to 1980s science fiction.

and none better than an old man

Josh Weissbach

A system of labor bound by neither darkness nor light, within an imprecise space between fiction and non-fiction. And as James becomes John and John becomes James, an antiquated form of knowledge acquisition attempts to survive.