Azadeh Navai
2021Remembering the Pentagons
Azadeh Navai
The lyrical Remembering the Pentagons depicts filmmaker Azadeh Navai’s earliest memories. Places, smells and emotions are unearthed and the overwhelming world of her youth delineated using sensitive 16mm and pinhole footage. Her personal thoughts meet the words of classic Persian poet Hafez.
Remembering the Pentagons
The Yellow Curtain
Azadeh Navai
In the 1970s, Iran seemingly had everything. U.S. President, Jimmy Carter called it "an island of stability" in a visit. Yet, only two years later, in the winter of 1979, a revolution occurred. The Shah of Iran was overthrown and the Islamic Republic was established. It was a major change, a complete switch of power. THE YELLOW CURTAIN interweaves the stories of three men around this sensitive time in history--persecuted Persian author, Gholamhossein Saedi, one of his fictional characters, Mansour, and the filmmaker's own grandfather, who worked directly under the Shah. Through a poetic blending of literature and cinema, the film examines many lives turned upside down; and in one rare case, a life turned right side up.
The Yellow Curtain
Friday Mosque
Azadeh Navai
A silent meditation on the Islamic prayer ritual through motion (water is the core, but light is the cause) in FRIDAY MOSQUE. Shot on high-contrast black and white 16mm film, Navai hand processed the negative and painstakingly contact- printed the strips of celluloid. The resulting image quivers and pulses. Enlarged film grain nearly obliterates the already abstracted image. There exists both a tension and serenity in the flickering frame. Every element is preparing for and anticipating the faithful soul that is summoned to the everyday practice. The silent tune of the calling, Azan, has overtaken.
Friday Mosque
