Pascal Kané
2021À voir absolument: 1963-1973 Dix années aux Cahiers du Cinéma
Jean Narboni, Jean-Louis Comolli
Jean Narboni, Jean-Louis Comolli
Jean-Louis Comolli and Jean Narboni, former editors at Cahiers du Cinema, interview their former colleagues and fellow travellers during the "Red Years" of the journal between 1968 and1973.
À voir absolument: 1963-1973 Dix années aux Cahiers du Cinéma
India Song
Marguerite Duras
Delphine Seyrig, Michael Lonsdale
India, 1937. Anne-Marie Stretter is the wife of the French ambassador and leads a solitary yet privileged life in Calcutta. The tedium of her existence is relieved by numerous illicit love affairs with government officials, young men who find her an object of desire and fascination. The Vice Consul is driven insane by his love for her and, expelled from the ambassador’s palace, cries like a sick animal. Life continues for Anne-Marie Stretter, the same tedious existence…
India Song
L'éducatrice
Pascal Kané
Alexandra Winisky, Nathalie Richard
Stephanie is a hostile and mute newcomer in a home for troubled minors. She disorients the staff. Louise, a young educator, is determined and determined to overcome the aggressiveness of the girls, who give her a hard time. She gets caught up in the game and oversteps her role, triggering the teenager to act out in unexpected ways.
L'éducatrice
Dora et la lanterne magique
Pascal Kané
Nathalie Manet, Rita Maiden
Eleven-year old Dora (Nathalie Manet) is forced to chase after clues concerning her inventor-father's death while being chased by thugs working for big industry. Not only is she seeking to understand her father's mysterious death, but some of the clues he gave her indicate that he invented something unusual which the big companies want. She barely escapes being kidnapped and is helped in her search by a magical fairy and an aspiring actress.
Dora et la lanterne magique
Le cinéphile et le village
Pascal Kané
Serge Daney
Serge Daney talks about television in France, about the social role it plays and the role it could play, its ability to welcome and even integrate the "other" into a system of values of which it still is - in spite of everything - the depositary. Its existence of truth, of openness to the world passes through Serge Daney's own biography: that of a man formed by the major art of this century: the cinema.
Le cinéphile et le village