Carmen Cabrera
2021El Peñón de las Ánimas
Miguel Zacarías
Jorge Negrete, María Félix
The love between María Ángela and Fernando is impossible because there's an ancient history of hate between their families. His father killed hers, and other family members have killed each other for years. When María Ángela's grandfather finds she's in love with Fernando, he frames the young man and forces her to marry Manuel. Maria Ángela finds that Manuel doesn't love her and together plan her escape with Fernando. But things go wrong and the lovers find their destiny in The Spirit's Canyon.
The Spirit's Canyon
El inocente
Rogelio A. González
Pedro Infante, Silvia Pinal
After a quarrel with her boyfriend on New Year's Eve, Mane drives her car from Mexico City to Cuernavaca to meet her parents in their country house. The car breaks down in the highway and Mane has to ask for help. Mechanic Cruci arrives and, after testing the car, offers Mane a ride on his motorcycle. Back in Mane's house, she invites him some drinks to celebrate New Year's Eve. They get drunk and, the morning after, Mane's parents arrive and find them sleeping together. Not knowing what happened, Mane and Cruci are forced to get married against their will.
The Innocent
El Portero
Miguel M. Delgado
Cantinflas, Silvia Pinal
Cantinflas works as a porter, who writes letters and speeches in his old writing machine to earn an extra money, despite the fact that he still goes to school. The sentimental issues come when Cantinflas falls in love of his pretty neighborhood (Silvia Pinal), who is handicapped and unable to walk. The thing wont be easy, because a young military man also has feelings for the girl. But the porter wants to see her happy, and he will become a sort of Cyrano De Bergerac, writing love letters to her signed by the young soldier. His plan is simple: to win money in the horse races in order to pay the operation which will make her walk again.
El Portero
El gran calavera
Luis Buñuel
Fernando Soler, Rosario Granados
Buñuel's first "comeback" film since "L'Age d'Or" in 1930 (he made only a few musicals in the interim), "El Gran Calavera" concerns a family's attempts to change the patriarch's somewhat indulgent and hedonistic ways by fooling him into thinking his large fortune is gone. They assume a life of poverty in Mexico in an attempt to teach him a lesson. However, he discovers it's a ruse, but continues to perpetuate the facade of ignorance while sneaking off during the day to conduct his thriving business. Why? To teach his family a lesson - they are all lazy, worthless leeches!
The Great Madcap
Ni sangre ni arena
Alejandro Galindo
Cantinflas, Susana Guízar
Cantinflas enjoys the bullfight show, and wants to crash in every of these spectacles. Also, there's a professional bullfighter, Manolete, who is identical to Cantinflas. Manolete has to give a bullfight show in a village, but Cantinflas arrives first as a stowaway in a train, and he'll be mistake by the real bullfighter. Cantinflas will give us a demonstration of courage.
Ni sangre ni arena
