Eduardo Pavlovsky
1933 - 2015País cerrado, teatro abierto
Arturo Balassa
Roberto "Tito" Cossa, Carlos Gorostiza
The history of the Teatro Abierto, which was initiated on July 28, 1981 as a cultural reaction against the last Argentine civic-military dictatorship, and organized by a group of artists and workers from the theater world
País cerrado, teatro abierto
The Impostor
Alejandro Maci
Antonio Birabent, Walter Quiroz
This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.
The Impostor
Cuarteles de invierno
Lautaro Murúa
Oscar Ferrigno, Eduardo Pavlovsky
A boxer and a singer are hired by the Armed Forces to entertain the people of a small town. When their personalities and principles get them in trouble with the authorities, they support each other as they face their destiny.
Cuarteles de invierno
Miss Mary
María Luisa Bemberg
Julie Christie, Nacha Guevara
A young British woman is hired as a governess by a wealthy Argentine family. Through her position, she slowly sees how the upper class of society is slowly crumbling, and how a fascist movement is preparing to install itself in power.
Miss Mary
Los herederos
David Stivel
Norma Aleandro, Federico Luppi
A once prominent family fight each other over the inheritance of a run down mansion. Motivated by individual greed, they turn on one another until they unite to subdue a stranger prone to violence. Outwardly the family retains respectability and their name is not sullied, but irreparable harm is done to the unit and mutual trust is shattered in the wake of the events that transpire.
Los herederos
La nube
Fernando E. Solanas
Eduardo Pavlovsky, Leonor Manso
A black cloud brings 1600 days of rain to Buenos Aires, while traffic and pedestrians move backwards. Aging actor Max (Eduardo Pavlovsky) runs the Mirror Theater in a former fish market, but lack of funding means a possible demolition. Max is attracted to Brazilian dancer Fulo (Angela Correa), who worries about her daughter back home. Amid political corruption and police brutality, Max's elderly colleague Enrique leads a protest for unpaid old-age pensions. The pensioners succeed in their demands, only to learn from a government official that no money is available to pay them.
The Cloud
Las mujeres llegan tarde
Marcela Balza
Marilú Marini, Érica Rivas
Regina and Fernanda are the owners of a family hotel in the province of Buenos Aires that has lost the splendor of other times. Submerged in bankruptcy are by chance with a significant sum of money brought by a mysterious guest.
Women Are Late
