Pierre-Henri Gibert
20211940, main basse sur le cinéma français
Pierre-Henri Gibert
Sarah-Jane Sauvegrain, Louis-Émile Galey
Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.
1940: Taking over French Cinema
L'essence des formes: Robert Bresson déforme les sens
Pierre-Henri Gibert
François Leterrier, Pierre Lhomme
L'essence des formes (The Essence of Forms), a documentary from 2010 in which collaborators and admirers of Bresson’s, including actor François Leterrier and director Bruno Dumont, share their thoughts about the director and his work.
The Essence of Forms
The Clouzot Scandal
Pierre-Henri Gibert
Aurélien Recoing, Bernard Stora
Great filmmakers claim the artistic influence of French director Henri-Georges Clouzot (1907-1977), a master of suspense, with a unique vision of the world, who knew how to offer both great shows and subtle studies of characters. Beyond the myth of the tyrannical director, a contrasting portrait of a visionary, an agitator, an artist against the system.
The Clouzot Scandal
Volker Schlöndorff : tambour battant
Pierre-Henri Gibert
Volker Schlöndorff
The life and work of the brilliant German filmmaker Volker Schlöndorff, a cross-border artist who, by leaving Germany and making the whole world his place of work, acquired the objective perspective necessary to portray his country's society better than anyone else while providing a unique and original point of view on the troubled history of the European continent.
Volker Schlöndorff: The Beat of the Drum
Luis Buñuel, la transgression des rêves
Pierre-Henri Gibert
Jean-Claude Carrière, Juan Luis Buñuel
Based on unpublished interviews with the family, Jean-Claude Carrière, his writer and biographer, family archives, mini-fictions that dramatize the memories evoked and in constant echo with the upcoming films whose images seem to crystallize over the narrative, we wish to reinterpret Luis Buñuel's work through these decisive years, revealing hidden coherence, originality and beauty.
Luis Buñuel, la transgression des rêves
Jacques Audiard, le cinéma à cœur
Pierre-Henri Gibert
Jacques Audiard, Sarah-Jane Sauvegrain
In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.
Jacques Audiard, le cinéma à cœur
A Girl Cut in Two
Claude Chabrol
Ludivine Sagnier, Benoît Magimel
Gabrielle Deneige is an independent, ambitious TV weather girl torn between her love of a distinguished author several decades her senior, and the attentions of a headstrong, potentially unstable young suitor. An unspoken past between the two men heightens tensions, and though she's initially certain of her love for one them, the see-saw demands and whims of both men keep confusing - and darkening - matters. Before long she's encountering emotional and societal forces well beyond her control, inexorably leading to a shocking clash of violence and passion.
A Girl Cut in Two
L'Image Originelle - David Lynch
Pierre-Henri Gibert
David Lynch
The original image or the first image. That of the first film, that of all the promises. The matrix image announcing all those to come. The history of cinema is full of legendary first movies, master strokes rather than test shots. There is a lot to be learned from the early plants of estrean directors who later became great filmmakers.
L'Image Originelle - David Lynch
Strike : Eisenstein and the Revolutionary Spirit
Pierre-Henri Gibert
Natacha Laurent
In this documentary, film historian Natacha Laurent places Eisenstein's work in the context of the Communist Revolution and contemporary Soviet filmmaking.
Strike: Eisenstein and the Revolutionary Spirit
