Manuel Ferrari

De la noche a la mañana

Manuel Ferrari

Esteban Menis, Manuela Martelli

Ignacio embarks on a trip driven by the coincidences that bring together the news that his young girlfriend is pregnant and an invitation to a seminar in Chile almost simultaneously.

Cómo Estar Muerto/Como Estar Muerto

Manuel Ferrari

Ignacio Rogers, Julián Tello

A young man decides to self-examine. He escapes from school and meets two friends who do not know his plan. They spend the whole day wandering around the center of Buenos Aires. Finally, the young man leaves his friends in a train while they sleep. The young man, alone, wanders through the city through the night. Security cameras monitor the city, but the young man disappears.

A propósito de Buenos Aires

Cecilia Libster, Martín Kalina

Inés Efron, Julia Martínez Rubio

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Las Expansiones

Manuel Ferrari

Jorge Alencar, Andreas Bolm

The present, past and future of the conquest of the city known as Buenos Aires.

Las credenciales

Manuel Ferrari

This is the journey of Juan – who could well be Pedro or María – a man who lives and works on the river in Argentina. Next, it is Johannes’ journey – he could well be Claus or Franz –who lives in Germany and whose life doesn’t seem to be very different from Juan’s. But at the same time, it is.