Robert Wise
1914 - 2005Robert Earl Wise (September 10, 1914 – September 14, 2005) was an American sound effects editor, film editor, film producer and director. He won Academy Awards as Best Director for The Sound of Music (1965) and West Side Story (1961) as well as nominations as Best Film Editing for Citizen Kane (1941) and Best Picture for The Sand Pebbles (1966).
Among his other films are Born to Kill; Destination Gobi; The Hindenburg; Star Trek: The Motion Picture; The Day the Earth Stood Still; Run Silent, Run Deep; The Andromeda Strain; The Set-Up; The Haunting; and The Body Snatcher. Wise's working period spanned the 1930s to the 1990s.
Often contrasted with contemporary "auteur" directors such as Stanley Kubrick who tended to bring a distinctive directorial "look" to a particular genre, Wise is famously viewed to have allowed his (sometimes studio assigned) story to dictate style. Later critics such as Martin Scorsese would go on to expand that characterization, insisting that despite Wise's notorious workaday concentration on stylistic perfection within the confines of genre and budget, his choice of subject matter and approach still functioned to identify Wise as an artist and not merely an artisan. Through whatever means, Wise's approach would bring him critical success as a director in many different traditional film genres: from horror to noir to Western to war films to science fiction, to musical and drama, with many repeat hits within each genre. Wise's tendency towards professionalism led to a degree of preparedness which, though nominally motivated by studio budget constraints, nevertheless advanced the moviemaking art, with many Academy Award-winning films the result. Robert Wise received the AFI Life Achievement Award in 1998.
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Arena: The Orson Welles Story
Orson Welles, Peter Bogdanovich
Biography Documentary hosted by Leslie Megahey, published by BBC broadcasted as part of BBC Arena series in 1982 - English narration Two-part film profile of Orson Welles, looking at his life and career in theatre, radio and particularly film. Part 1. With Jeanne Moreau, John Huston, Peter Bogdanovitch, Robert Wise, Charlton Heston, and a detailed interview with Welles himself. This part deals with his work up to Touch of Evil. Part 2. Second of a two-part profile of Orson Welles, looking at films including The Trial, Chimes at Midnight, The Immortal Story and F for Fake and discussing his many unfinished projects, including The Other Side of the Wind and Don Quixote.
Arena: The Orson Welles Story
The Sound of Music
Robert Wise
Julie Andrews, Christopher Plummer
In the years before the Second World War, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children, and brings a new love of life and music into the home.
The Sound of Music
Visions of Light
Stuart Samuels, Arnold Glassman
Vilmos Zsigmond, Sven Nykvist
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
Visions of Light
The Battle Over Citizen Kane
Thomas Lennon, Michael Epstein
William Alland, Thomas Anderson
Documentary about the battle between Orson Welles and William Randolph Hearst over Welles' Citizen Kane (1941). Features interviews with Welles' and Hearst's co-workers also acts as a relatively complete biograph of Hearst's career.
The Battle Over Citizen Kane
West Side Memories
Michael Arick
Jerome Robbins, Arthur Laurents
Documentary attached to the 50th anniversary MGM Blu-ray collection of "West Side Story" (1961). Details how this successful stage production was reared and molded into a beautiful cinematic one. Deep-dives into Jerome Robbins' choreography and Leonard Bernstein's score-making processes.
West Side Memories
West Side Story
Robert Wise, Jerome Robbins
Natalie Wood, Richard Beymer
In the slums of the upper West Side of Manhattan, New York, a gang of Polish-American teenagers called the Jets compete with a rival gang of recently immigrated Puerto Ricans, the Sharks, to "own" the neighborhood streets. Tensions are high between the gangs but two romantics, one from each gang, fall in love leading to tragedy.
West Side Story
I Want to Live!
Robert Wise
Susan Hayward, Simon Oakland
Barbara Graham is a woman with dubious moral standards, often a guest in seedy bars. She has been sentenced for some petty crimes. Two men she knows murder an older woman. When they get caught they start to think that Barbara has helped the police arresting them. As a revenge they tell the police that Barbara is the murderer.
I Want to Live!
The Sand Pebbles
Robert Wise
Steve McQueen, Richard Attenborough
Engineer Jake Holman arrives aboard the gunboat USS San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and cynical nature soon clash with the 'rice-bowl' system which runs the ship and the uneasy symbiosis between Chinese and foreigner on the river. Hostility towards the gunboat's presence reaches a climax when the boat must crash through a river-boom and rescue missionaries upriver at China Light Mission.
The Sand Pebbles
Hollywood Screen Tests: Take 1
Edith Becker
Robert Culp, Julie Andrews
Even big stars need to stand in front of the director and audition for their roles, and some of the best screen tests are from the early years of legends. See some of Hollywood's top names and greatest talents in their very first appearances on celluloid. From Dustin Hoffman's 1966 stock and personality tests to Raquel Welch and James Coburn cavorting for Our Man Flint, from The Three Stooges to Rock Hudson, see stars trying to get on film.
Hollywood Screen Tests: Take 1
