Ping Chong
2021‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen
Michael Snow
Kevin Wenzel, Munro Ferguson
Described (rather cheekily) by director Michael Snow as a musical comedy, this deft probing of sound/image relationships is one of his wittiest, most entertaining and philosophically stimulating films. In his words, the film “derives its form and the nature of its possible effects from its being built from the inside, as it were, with the actual units of such a film, i.e. the frame and the recorded syllable. Thus its ‘dramatic’ element derives not only from a representation of what may involve us generally in life but from considerations of the nature of recorded speech in relation to moving light-images of people.’”
‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen
Quarry
Meredith Monk, Amram Nowak
Meredith Monk, Ping Chong
Monk’s meditation on WWII and recurring cycles of intolerance, fascism, and cruelty in history originated in 1976 as a live stage work utilizing elements of music, images, movement, dialogue, film, sound, and light. This film version, shot on 16mm in the Lepercq Space at the Brooklyn Academy of Music in 1977, was created in partnership with the New York Public Library for the Performing Arts as part of their initiative to document ground-breaking live performance for future restaging. QUARRY centers on a sick American child (played by Monk herself) whose world darkens as her illness progresses, this darkening including the rise of a dictator. A unique document of this innovative, boundary-blurring production, and a work of art on its own terms, replete with a film-within-a-film directed by Monk in 1975.
Quarry
