
Ilka Zafirova
1941 (84 года)Буна
Vili Tzankov
Tzvetana Maneva, Ilka Zafirova
1920's. A young girl - teacher comes from the city to a small, poor village to teach the children. There is a medic in the village. Without being a doctor, he has taken up the noble deed to help people. The "miracle" of the village is two twins - brother and sister, Lefter and Leftera. Both of them resell village land. Everyone is feeling the pressure from the twins. This causes the eruption of a violent and bloody riot.
Buna
Бялата стая
Metodi Andonov
Apostol Karamitev, Elena Rainova
In a white ward in a clinic a lifetime balance on the verge of death. Memories are herding together in the mind of seriously ill Aleksandrov, a scientist, who evaluates and reevaluates his own life: friendships, loves, career. Images of his youth are crowding in: of his beloved, of his children, of evenings, spent with his friends, ups and downs. And no one is able to say if all this made any difference.
The White Room
Вампири, таласъми
Ivan Andonov
Ilka Zafirova, Pepa Nikolova
In the spring of 1945 the war is still going on, but in Bulgaria the communists have already seized the power. The new rulers do justice according to their personal interests. This is the beginning of the era of Communism in Bulgaria - spiritual poverty, expropriation, destroying of the intelligentsia. In this chaos the main character, an actress fallen on hard times, wants to preserve her social status with every available means. She claims to be a Communist activist and, in order to gain access to the theater even shows a photo with the Bulgarian communist revolutionary Georgi Dimitrov's dog However, in order to survive, she has to resort to betrayal.
Vampires, Ghouls
Капия
Elena Toncheva
Ivan Barnev, Ilka Zafirova
Lilly steals the keys of her new teacher and in an act of revenge trashes his home. She is surprised by his blind and ill-tempered mother and Lilly lies that she is in fact his fiancée. This makes the mother very happy and eventually, Lilly finds herself bound to visit her regularly.
Block
Ursus
Otar Shamatava
Niko Tavadze, Joséphine de la Baume
Ursus is a story of three outcasts—Georgian unemployed film director, Ukrainian ex-stuntman and a Canadian female fighter for the wild animals' rights—making their desperate journey from Tbilisi, the capital of ex-Soviet Georgia plunged into a civil war, to Berlin at the beginning of 1992. Each of the three characters pursues their own goal without even knowing how much their fates are intertwined.
Chola the Bear
Тони
Dimitar Petrov
Vanya Bakalova, Lyuben Chatalov
Little Tony does not have a father, but her mother is just an obstacle. The child often stays outside the locked door while the mother has fun with another guest. Tony wanders in the streets or walks to Pipe doll artist's studio. Here the girl is immersed in a fairy-tale world, very different from the one around her. But Fipo has his own life and problems. Tony is not mad at her mother, loves her and wants to live with her. But for neighboring children, Tony is a bad example. Their parents are doing their best to put her in a boarding school without being interested in her opinion. Is this better for the little girl?
Tony
Rosita, please!
Ventura Pons
Amparo Moreno, Pavel Angelov
Rosita, a plump and temperamental opera diva, leaving the shooting of Tristan and Isolde in Hollywood, to learn that the producer does not offer the title role in the upcoming film Romeo and Juliet. And travel to Bulgaria after accepting an invitation from Frank, a childhood friend who has a restaurant.
Rosita, please!
В края на лятото
Ducho Mundrov
Petar Slabakov, Ilka Zafirova
Sick and tired of the daily grind, engineer Filip Gerakov encounters on the beach Maria, eccentric wife of a prosperous research associate. Maria leads a leisurely if somewhat dull existence. Deep down, she craves for normal, spontaneous relationships and emotions. Filip and Maria soon make friends. They find in each other what they themselves have lacked. Their friendship gradually grows in love. Sharing their dreams and making plans for the future, the lovers vow to be inseparable and to make a new life. One day Maria's husband arrives in his black limousine. Watched at a distance by Filip, Maria makes her choice: she leaves with her husband, opting for the good life she is used to.
At The End of Summer