Barry Gerson
1939 (86 лет)‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen
Michael Snow
Kevin Wenzel, Munro Ferguson
Described (rather cheekily) by director Michael Snow as a musical comedy, this deft probing of sound/image relationships is one of his wittiest, most entertaining and philosophically stimulating films. In his words, the film “derives its form and the nature of its possible effects from its being built from the inside, as it were, with the actual units of such a film, i.e. the frame and the recorded syllable. Thus its ‘dramatic’ element derives not only from a representation of what may involve us generally in life but from considerations of the nature of recorded speech in relation to moving light-images of people.’”
‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen
Translucent Appearances
Barry Gerson
"Oblique mattes, instead of blocking the vision, accentuate our ability to see and appreciate details, narrowing and expanding the focus of our attention, rendering symmetry and simplicity simply unbalanced. Through repetition of this approach, the movement and the framing become a sensual force —and the objects appear in all their voluptuousness. Gerson has employed this technique repeatedly. In his Translucent Appearances (1975), thirty-five different shots of Niagara Falls are blocked by horizontal, monochromatic mattes. The object is shaped —water flowing seeking a form that will suffice. These are films that disclose gradually, changing revealed and unrevealed layers of visual information." Mónica Savirón
Translucent Appearances
Group VI: Converging Lines/Assimilation
Barry Gerson
“Since all matter in the Universe pulsates rhythmically, it is therefore , in constant motion. My film/videos become an activated metaphor to elucidate this phenomenon . I attempt to create psychically charged images that are in a constant state of flux- structured formally but with a poetic intent. Through the use of slow movements and small changes the images become felt, eliciting an almost tactile response."-Director Statement
Group VI: Converging Lines/Assimilation
Group VII: Portrait of Diana/Portrait of Andrew Noren
Barry Gerson
“Since all matter in the Universe pulsates rhythmically, it is therefore , in constant motion. My film/videos become an activated metaphor to elucidate this phenomenon . I attempt to create psychically charged images that are in a constant state of flux- structured formally but with a poetic intent. Through the use of slow movements and small changes the images become felt, eliciting an almost tactile response."-Director Statement
Group VII: Portrait of Diana/Portrait of Andrew Noren
Group IV: Beaded Light/Dissolving/Beyond
Barry Gerson
“Since all matter in the Universe pulsates rhythmically, it is therefore , in constant motion. My film/videos become an activated metaphor to elucidate this phenomenon . I attempt to create psychically charged images that are in a constant state of flux- structured formally but with a poetic intent. Through the use of slow movements and small changes the images become felt, eliciting an almost tactile response."-Director Statement
Group IV: Beaded Light/Dissolving/Beyond
Group I: Grass/Ice/Snow/Vibration
Barry Gerson
"Since all matter in the Universe pulsates rhythmically, it is therefore , in constant motion. My film/videos become an activated metaphor to elucidate this phenomenon . I attempt to create psychically charged images that are in a constant state of flux- structured formally but with a poetic intent. Through the use of slow movements and small changes the images become felt, eliciting an almost tactile response."-Director Statement
Group I: Grass/Ice/Snow/Vibration
Group III: Sunlight/Floating/Afternoon
Barry Gerson
“Since all matter in the Universe pulsates rhythmically, it is therefore , in constant motion. My film/videos become an activated metaphor to elucidate this phenomenon . I attempt to create psychically charged images that are in a constant state of flux- structured formally but with a poetic intent. Through the use of slow movements and small changes the images become felt, eliciting an almost tactile response."-Director Statement
Group III: Sunlight/Floating/Afternoon
Group II: Water/Contemplating
Barry Gerson
“Since all matter in the Universe pulsates rhythmically, it is therefore , in constant motion. My film/videos become an activated metaphor to elucidate this phenomenon . I attempt to create psychically charged images that are in a constant state of flux- structured formally but with a poetic intent. Through the use of slow movements and small changes the images become felt, eliciting an almost tactile response."-Director Statement
Group II: Water/Contemplating
The Neon Rose
Barry Gerson
Irma Ostroff
With light-drenched visuals illuminating a screenplay of "dialogue and poetry," filmmaker Gerson made this short B&W experimental feature about a man who confronts the meaning of existence in a variety of cityscapes. Gerson described the film: "The narrative form expanded, utilizing non-linear sequences within a linear structure. Past, Present and Future are interwoven throughout to present a total, heightened reality."
The Neon Rose
