Władysław Kowalski
1936 (90 лет)Dekalog, siedem
Krzysztof Kieślowski
Anna Polony, Maja Barelkowska
As a high school student, Majka bore a child, Ania, whom Majka’s mother, Ewa, has been raising as her own. Now that Majka is ready for motherhood, Ewa refuses to let go, leading Majka to kidnap her own daughter, with unexpected emotional consequences.
Decalogue VII
The Double Life of Véronique
Krzysztof Kieślowski
Irène Jacob, Halina Gryglaszewska
Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.
The Double Life of Véronique
Planeta krawiec
Jerzy Domaradzki
Kazimierz Kaczor, Sławomira Łozińska
In the 50's a tailor drinking with his friends has an attack that requires an emegency treatment in the hospital. He has damaged kidneys. Given a second lease on life the tailor thinks that while in a coma he has communicated with the distant stars. He gives up tailoring and turns to the stars. He engages his friends in a village to build an observatory. He becomes recognized and for a time being even the authorities back him up. But then comes bitter awakening: his wife can't take his obsessions anymore and leaves him. The town council calls upon him to close his work as the first Sputnik goes into space. Then he is invited to an astronomical convention, He becomes the sensation of the conference, not however, as a amateur astronomer, but by guessing the clothing measurements of the delegates. Back home he realizes that his dream may be over, but he cannot help gazing at the sky. Written by Polish Cinema Database
The Planet 'Tailor'
Szpital przemienienia
Edward Zebrowski
Piotr Dejmek, Jerzy Bińczycki
The film is set toward the beginning of World War II, at a psychiatric hospital in the country. But this is an unusual hospital: there are several incurable schizophrenic cases, staff is bit strange and a writer has voluntarily entered the clinic because he is "peculiar" and a drug addict. Then, the occupying forces arrive...
Hospital of the Transfiguration
Love at Twenty
François Truffaut, Shintarô Ishihara
Jean-Pierre Léaud, Marie-France Pisier
Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.
Love at Twenty
Ucieczka z kina 'Wolność'
Wojciech Marczewski
Janusz Gajos, Teresa Marczewska
In the cinema "Liberty" there takes place a screening of the film "Daybreak". The screening is interrupted by an unusual event. Actors come to life on the screen, start conversations among themselves, draw the audience into them. Crowds gather around the cinema, the relevant authorities and services wonder what to do in this complicated situation. Also arriving is the censor, a man reaching his fifties, a one-time literary critic and journalist. The line between fiction and reality begins to blur...
Escape from the 'Liberty' Cinema
Katyn
Andrzej Wajda
Andrzej Chyra, Maja Ostaszewska
On September 1st, 1939, Nazi Germany invades Poland, unleashing World War II. On September 17th, the Soviet Red Army crosses the border. The Polish army, unable to fight on two fronts, is defeated. Thousands of Polish men, both military and government officials, are captured by the invaders. Their fate will only be known several years later.
Katyn
Little Rose
Jan Kidawa-Blonski
Andrzej Seweryn, Magdalena Boczarska
Pressured by his superiors to disgrace public intellectual Warczewski, a professor and respected writer whom they believe to be a "camouflaged Zionist," rough security-services colonel Rozek enlists his sexy but naive girlfriend, Kamila, to insinuate herself into the distinguished older man's life and report on his every move. Not particularly interested in serving communism but eager to please her domineering lover, Kamila accepts the mission, reporting under the code name "Little Rose." As quick scenes contrast Kamila's crude pleasures with Rozek and her more refined experiences with Warczewski, it becomes clear that the more time the unschooled young woman spends with the professor, the more she comes to have true feelings for him.
Little Rose
