Tofig Mirzayev
1932 (93 года)
Ömrün ilk Saatı
Arif Babayev
Hasanagha Turabov, Shahmar Alakbarov
The film is about oilmen having different ideals and decisions, were also based on this same ideology, depiciting the heroism of oil workers, who never became exhausted and who continued working in oil, generation after generation. It was the oil workers who were always invincible, unconquerable and unyieling, in contrast with other characters who were shown as weak and who preferred to earn a living via easier means.
The First Hour of Life
Nəsimi
Hasan Seyidbeyli
Rasim Balayev, Ismail Osmanli
The film is a biographical true story about life of Imadaddin Nasimi, well known throughout the East for his school of philosophy and thought, poems and promotion of moral values in a feudal society. During the 14th-15th centuries, when Azerbaijan was a stage for warring powers and civil wars, Nasimi was the only poet committed to promotion of humanism and moral values inflicting criticism on the ruling system and the society itself. For his intruding role in feudal regimes, Nasimi lived a complex and tragic life.
Nasimi
The Last Night of Childhood
Arif Babayev
Anvar Hasanov, Sayavush Shafiyev
Murad, a young man fails the entrance exam to the Institute and starts working at the meat factory. His cousin Rustam, a worker on a building site, fights with him against the dishonest people who sell pieces of meat from the factory. After a series of dramatic situations, Murad and Rustam manage to uncover the thieves.
The Last Night of Childhood
Interrogation
Rasim Ojagov
Aleksandr Kalyagin, Hasan Mammadov
The investigator Seyfi Ganiyev runs the case of an illegal mercery shop's head Murad Abiyev, who confessed in embezzlement of one million rubles from public funds. Abiyev is also accused of the murder of an underage girls that occurred in Riga shortly after Abiyev saw her. He denies his guilt, but does not name the perpetrators though he knows them, despite the fact that he is facing the death penalty. The investigator understands that some high-ranking officials stand behind Abiyev, but he has no proof. Ganiyev seeks to obtain from the prisoner the whole truth to bring the criminals to justice.
Interrogation
Sürəyya
Tofig Ismailov
Melahat Abbasova, Ulvi Mammadov
Молодая доярка Сурайя из далекого горного села разыскивает в городе своего жениха Сейфетдина. Она узнает, что тот давно женат, имеет сына, который живет у старого больного деда, поскольку Сейфетдин отбывает наказание за хулиганский поступок. Сурайя увозит мальчика в село, чтобы заботиться о нем, но тут появляется жена Сейфетдина...
Surayya
Əlvida, Cənub Şəhəri
Oleg Safaraliyev
Timur Badalbeyli, Mehriban Zaki
The film takes place in the Azerbaijani capital of Baku at the end of the 1980s. At this time, the Soviet Union was starting to fall apart, and with this came the start of a number of ethnic conflicts. Fariz and his family move into a Baku apartment block from war-torn Nagorno-Karabakh. Fariz's relations with his new neighbors are strained by his accusations that it was people like them who failed to support the Azeris in their conflict with ethnic Armenians. The only one who stands up to him is Alik, who acts as peacemaker between him and the older inhabitants of the building. Alik has no reservations about brandishing his gun in order to keep the peace. One day, the apartment managers want to evict a number of musicians who have been squatting in the basement. Alik gets involved, but soon discovers the situation is more complicated that he first believed.
Good Bye, Southern City
Cin mikrorayonda
Ogtay Mirgasimov
Otkam Isgandarov, Rashid Mahmudzadeh
The events in the film take place in one of the modern cities. The editor-in-chief Rustam Agayev (Egit Iskenderov) finds an ancient lamp placed in the jaw. For the talented but poor character Rustam, this lamp shatters the sky. With the help of jinn, the young man suceeds: his play is made on anchor; his girlfriend, Maya (Natalia Tagiyeva), agrees to marry him, and the bar is in the apartment. But Rustam wants to achieve everything. When the jinn throws away his "owner," he unveils the secret: a person must believe in his own power, and there must be a strong desire to create miracles.
The Jinn in Microdistrict
