
Eleanor Antin
2021!Women Art Revolution
Lynn Hershman Leeson
Lynn Hershman Leeson, Eleanor Antin
Through intimate interviews, provocative art, and rare, historical film and video footage, this feature documentary reveals how art addressing political consequences of discrimination and violence, the Feminist Art Revolution radically transformed the art and culture of our times.
!W.A.R.: !Women Art Revolution
The Man Without a World
Eleanor Antin
Pier Marton, Christine Berry
The Man Without a World is credited to the legendary (and imaginary) 1920s Soviet director, Yevgeny Antinov. But the film is anything but old. In fact, Antinov himself is the creation of contemporary filmmaker Eleanor Antin. Her film is a moving, comic melodrama set in a typical shtetl (village) in Poland. The Jews’ struggle against poverty and racial hatred is complicated by their own division into hostile political factions of the religious orthodoxy, assimilationists, socialists, Zionists, anarchists and survivors. While the Jews of the shtetl pursue their loves, politics, religion, business and dreams for the future, the Angel of Death is ever near...
The Man Without a World
The Adventures of a Nurse (Parts I and II)
Eleanor Antin
Part I: The artist, in the role of a nurse, fantasizes on romantic themes, using a set of foot-high, hand-painted paper dolls as actors. A fantasy within a fantasy. The "Nurse Eleanor" paper doll performs as a surrogate self for Nurse Eleanor Antin and is the much put-upon but brave heroine of a succession of romances with a dying poet, a biker, and a doctor. Part II: "Nurse Eleanor's" romantic odyssey continues with two new lovers — a French ski bum and an anti-war senator.
The Adventures of a Nurse (Parts I and II)
From the Archives of Modern Art
Eleanor Antin
Eleanor Antin, Phil Orlando
In this work of documentary fiction, an archivist attempts to put together the "lost years" of Eleanor Antinova, the once-celebrated black ballerina of Diaghilev's Ballets Russes, when she returned to her native America to eke out a meager living in vaudeville and early cinema. Eleanor Antin uses fictional characters, autobiography, and narrative to invent histories and explore what she calls "the slippery nature of the self".
From the Archives of Modern Art