Eleanor Antin

!Women Art Revolution

Lynn Hershman Leeson

Lynn Hershman Leeson, Eleanor Antin

Through intimate interviews, provocative art, and rare, historical film and video footage, this feature documentary reveals how art addressing political consequences of discrimination and violence, the Feminist Art Revolution radically transformed the art and culture of our times.

The Man Without a World

Eleanor Antin

Pier Marton, Christine Berry

The Man Without a World is credited to the legendary (and imaginary) 1920s Soviet director, Yevgeny Antinov. But the film is anything but old. In fact, Antinov himself is the creation of contemporary filmmaker Eleanor Antin. Her film is a moving, comic melodrama set in a typical shtetl (village) in Poland. The Jews’ struggle against poverty and racial hatred is complicated by their own division into hostile political factions of the religious orthodoxy, assimilationists, socialists, Zionists, anarchists and survivors. While the Jews of the shtetl pursue their loves, politics, religion, business and dreams for the future, the Angel of Death is ever near...

The Adventures of a Nurse (Parts I and II)

Eleanor Antin

Part I: The artist, in the role of a nurse, fantasizes on romantic themes, using a set of foot-high, hand-painted paper dolls as actors. A fantasy within a fantasy. The "Nurse Eleanor" paper doll performs as a surrogate self for Nurse Eleanor Antin and is the much put-upon but brave heroine of a succession of romances with a dying poet, a biker, and a doctor. Part II: "Nurse Eleanor's" romantic odyssey continues with two new lovers — a French ski bum and an anti-war senator.

Representational Painting

Eleanor Antin

The artist explores make-up as a traditional mode of self-expression, using it to find a representation of herself with which to face the world.

From the Archives of Modern Art

Eleanor Antin

Eleanor Antin, Phil Orlando

In this work of documentary fiction, an archivist attempts to put together the "lost years" of Eleanor Antinova, the once-celebrated black ballerina of Diaghilev's Ballets Russes, when she returned to her native America to eke out a meager living in vaudeville and early cinema. Eleanor Antin uses fictional characters, autobiography, and narrative to invent histories and explore what she calls "the slippery nature of the self".