André S. Labarthe
1931 - 2018Source: Article "André S. Labarthe" from Wikipedia in english, licensed under CC-BY-SA 3.0.
Cinéastes de notre temps: Samuel Fuller, Independent Filmmaker
André S. Labarthe
Samuel Fuller
Episode of the French television series about the work of American film director Samuel Fuller. (A 23-minute edited version of this show appears on the Criterion Collection release of "The Naked Kiss."
Cinéastes de notre temps: Samuel Fuller, Independent Filmmaker
Monsieur Morimoto
Nicola Sornaga
Kenichi Morimoto, André S. Labarthe
A retired Japanese ex-patriot living the life of a bohemian Parnassian painter in Paris loses his latest picture, and wanders into Belleville hoping to reclaim what is rightfully his. Along the way, the drifting stray cat comes into contact with a series of colorful dreamers on a never ending search for love - much like himself.
Monsieur Morimoto
Cinéastes de notre temps: John Cassavetes
André S. Labarthe, Hubert Knapp
John Cassavetes, Jerry Howard
This is a 1968 French documentary that was probably shot just after or during the making of his great marriage disaster film, ‘Faces.’
Cinéastes de notre temps: John Cassavetes
The Scorsese Machine
André S. Labarthe
Martin Scorsese, Brian De Palma
Amazing documentary shows rarely seen side of a master director. 1990 was a very good year for Martin Scorsese. After making a diverse group of films in the 80s, he reunited with Robert DeNiro for "Goodfellas" and later that year shot a segment for "New York Stories", an anthology film of three shorts by Scorsese, Woody Allen, and Francis Ford Coppola. During the editing, the French documentary series "Cinéma, de notre temps" filmed a documentary on the director, and it's a fascinating glimpse into his life, personality, and working habits as he edits his short with long-time collaborator Thelma Schoonmaker.
The Scorsese Machine
Code Name: Melville
Olivier Bohler
Michel Dreyfus-Schmidt, Leo Fortel
Mixing interviews, rare archival footage and film extracts, the film shows how Melville's works were impacted by what he experienced in his youth during WWII, and how it structured his whole approach to cinema, not only in its thematic but also in its aesthetics.
Code Name: Melville