
Dewi Yull
1961 (64 года)Secangkir Kopi Pahit
Teguh Karya
Alex Komang, Ray Sahetapy
Togar, a student from North Sumatra is expected by his parents to graduate. Because his talent is in journalism, Togar fails and becomes a labourer in a cement factory. With the assistance of Buyung, Togar begins writing for a newspaper and then quits his job in the cement factory.
Bitter Coffee
Kabut Ungu di Bibir Pantai
Dasri Yacob
Ray Sahetapy, Dian Ariestya
Arrogant photographer Yanto (Ray Sahetapy) all but ignores his pregnant wife, Lastri (Minati Atmanegara), leaving her at home with her parents while he carries on an affair with his new assistant, Yatti (Dian Ariestya). When Lastri catches the two having sex, a fight ensues and Yanto accidentally kills her. He and his mistress then bury the body to cover their tracks but Yanti's spirit vengeance-seeking returns. With snakes.
Purple Fog at the Shore
Jilbab Traveler: Love Sparks in Korea
Guntur Soeharjanto
Bunga Citra Lestari, Morgan Oey
Rania travels all around the world documenting her experiences. When her father suddenly falls sick, Rania goes home. Rania meets Hyun Geun, a Korean guy, who is stubborn but charismatic. She faces her toughest decision in her life.
Jilbab Traveler: Love Sparks in Korea
Gadis
Nya Abbas Akup
Dewi Yull, Titiek Puspa
Bu Titik (Titiek Puspa) with her children extricated from her husband's house, an official who is crazy about other woman. They became laundry workers in noble families. This tribulation grows when their laundry is stolen until their child, Girl (Dewi Yull), must be a slave in the house of Renggo nobleman (Deddy Sutomo) whose clothes they remove. Here the girls meet with Jaka (Ray Sahetapy), who recently passed Mosvia and was assigned in the area. This love story did not go well, especially with the background of the eviction of a village conducted by Renggo in order to meet the demands of the plantation director who wants to expand his land.
Gadis
Kembang Kertas
Slamet Rahardjo
Zainal Abidin, Lenny Marlina
Because of his wife’s encouragement, Prabowo enters a dangerous business and is eventually imprisoned. While waiting for his trial, his business partner, Wahyuni the divorcee, whom he also loves, bails him out. Their children Ani and Reni, who have to downgrade from their mansion to a flat, suffer from the shock of change. They resort to drugs and prostitution to escape reality. While the mother is sick, Wahyuni becomes intimate with Prabowo. Once found out, they slowly try to solve each problem. Wahyuni is willing to reconcile the entire family. So Rini attempts to become a photographer, by following her boyfriend, a tour guide in Bali. There is another character, a journalist, who comes in and out of the film, and functions as a commentator and witness of their lives. The dialogue veers on philosophical messages as director, Slamet Rahardjo, tries to represent both the lower and upper classes, mixing his narrative style with realism.
Kembang Kertas