
Katinka Evers-Jahnsen
2006 (19 лет)Skyggebokser
Andreas Bøggild Monies
Marijana Janković, Katinka Evers-Jahnsen
When a professional female boxer is injured in the ring and begins a difficult recovery, her daughter Luna makes it her mission to believe in her mother, even when she's unable to do it for herself.
Shadow Boxer
The Guilty
Gustav Möller
Jakob Cedergren, Jessica Dinnage
Police officer Asger Holm, demoted to desk work as an alarm dispatcher, answers a call from a panicked woman who claims to have been kidnapped. Confined to the police station and with the phone as his only tool, Asger races against time to get help and find her.
The Guilty
Så Længe Jeg Lever
Ole Bornedal
Rasmus Bjerg, Helle Fagralid
The Way to Mandalay tells the story of one of Denmark's greatest and most beloved musicians. The film takes us on a journey from Mogenson's childhood to manhood and throughout his career which spanned more than twenty years, first with great success in a popular vocal group and later as a successful solo artist. There is a long period that John Mogensen can never be satisfied and he is confused by what are the things he truely loves and is willing to do everything for. Is it the music, the stage, the fame or his family?
The Way to Mandalay
Vildmænd
Thomas Daneskov
Bjørn Sundquist, Rune Temte
Armed only with a bow and an ensemble of animal skins, Martin sets off into the forest in a misguided attempt to overcome his midlife crisis. A chance meeting with a fugitive named Musa leads to a twisted trip through the fjords with police, drug runners, and Martin's family not far behind. As an unlikely friendship develops and wildly original set-pieces unfold, Martin's quest for manhood leads to deep and hilariously uncomfortable realizations about the presumed masculine ideal.
Wild Men
Aldrig mere i morgen
Erik Clausen
Erik Clausen, Bodil Jørgensen
The slightly self-indulgent artist Thorvald collapses during an interview made in celebration of his 80th birthday and dies shortly after. But in spite of his death Thorvald can still follow those left behind. From a distance, and for better or worse, he sees with his own eyes the imprint he has left on his family and especially his son Vincent, who had a strained relationship with his father.
Never Again a Tomorrow