Eric Stewart
2021Harbour
Eric Stewart
HARBOUR is a 16mm film focusing on the English Fascination with the Pacific Northwest. It evaluates ecological simulation and historic recreation to find in Landscape a stage for the enactment of the Other. In the 19th century English aristocrats where especially fascinated with the large evergreens of the Pacific Coast. Entrepreneurs and naturalists began importing spectacular trees, such as the California Redwood, throughout the United Kingdom. This importation of fauna was part of a circuit of appropriation through recreation; where the English simulated, in garden and greenhouse, the ecology of colonial landholdings while exporting English culture and architecture to said colonial locales.
Harbour
Wake
Eric Stewart
Wake is a dirge in celluloid. It is a celebration of my father’s life, a meditation on his body and a visual record of mourning. When my father died, there was never a chance to see his body after life had left it. This film was made by placing his ashes directly on 35mm film in a dark room and moving the film a frame at a time. What we see in this process of photograming is not the object in the photographic sense, but instead a representation of the space surrounding an object. The photogram is a shadow charting the distance between things.
Wake
