Michael Gallagher

El cuadro

Andrés Sanz Vicente

Eusebio Poncela, Olivia Sanz Novoa

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.