Nicolás Zukerfeld
1982 (41 год)
No existen treinta y seis maneras de mostrar cómo un hombre se sube a un caballo
Nicolás Zukerfeld
"Nicolás Zukerfeld’s third feature is a wry, surprising work of filmmaking-as-criticism that begins as a kind of supercut of moments from the work of pantheon Hollywood auteur Raoul Walsh. This rhythmically entrancing parade of images traces a mysterious and amusing arc across the director’s vast oeuvre—but at the halfway mark, the film reinvents itself as an idiosyncratic, essayistic investigation into memory, cinema, and their shared mutability." - NYFF
There Are Not Thirty-Six Ways of Showing a Man Getting on a Horse
A propósito de Buenos Aires
Cecilia Libster, Martín Kalina
Inés Efron, Julia Martínez Rubio
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
About Buenos Aires
Y ahora elogiemos las películas
Nicolás Zukerfeld
Lucas Granero, Nicolás Daniluk
A man who works at a book shop and writes for a film magazine meets the woman who photocopies his ID; as well as another man, an illustrator. They get together with a man who works as a waiter and produces independent cinema.
Let Us Now Praise Movies
