Lino Musella
1980 (46 лет)Until the End
Giovanni Dota
Nello Mascia, Lino Musella
A shot breaks the silence of the night, four men flee from the scene of the crime. Umberto "Yes and No", the infallible killer of the Caputo clan, has just killed the wrong man. Now he will have to account to the boss. Unfortunately, the victim is the nephew of Tonino O 'Infame, the city's most feared boss. But this does not seem to be the biggest problem: Umberto "Yes and No" hides a terrible secret.
Until the End
È stata la mano di Dio
Paolo Sorrentino
Filippo Scotti, Toni Servillo
In 1980s Naples, Italy, an awkward Italian teen struggling to find his place experiences heartbreak and liberation after he's inadvertently saved from a freak accident by football legend Diego Maradona.
The Hand of God
Qui rido io
Mario Martone
Toni Servillo, Maria Nazionale
In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.
The King of Laughter
Loro
Paolo Sorrentino
Toni Servillo, Elena Sofia Ricci
Internationally released Director's Cut of "Loro 1" and "Loro 2", which were released separately as two movies in Italy. The film talks about the group of businessmen and politicians – the Loro (Them) from the title – who live and act near to media tycoon and politician Silvio Berlusconi in the years between 2006 and 2009.
Loro
Il Boemo
Petr Václav
Vojtěch Dyk, Karel Roden
The year is 1764. For over a year, Josef has been leading a precarious life in Venice. He hopes to become an opera composer. The city, full of talented and already-established composers, seems closed to him. Looking for work as a violinist, he comes into the orbit of a rich young woman. Thanks to her, he gets the opportunity to play at salons. But his real opportunity arises when he becomes the lover of a libertine marquise. She teaches him worldly manners, rids him of signs of a provincial upbringing and introduces him to a hedonistic existence free from religious intolerance. Thus transformed, Josef gets an incan incredible commission: to write an opera for the San Carlo, Europe's largest theatre.
Il Boemo
Il bambino nascosto
Roberto Andò
Silvio Orlando, Roberto Herlitzka
Gabriele Santoro is a Professor of Pianoforte at the Music Conservatory San Pietro a Majella who lives in a working-class area of the city. One morning, while shaving his beard, the postman buzzes at the intercom to tell him he has a package. Gabriele opens the door and, before greeting him, runs to rinse his face. In that short space of time, a ten-year-old child slips into his apartment and hides away. “The maestro” – as he’s called in his neighbourhood – only notices the stowaway late at night. And when he sees him, he recognises the intruder as Ciro, a child who lives with his parents and siblings on the top floor of his building. When asked why he has fled his home, Ciro refuses to speak. Nevertheless, the maestro instinctively decides to hide him in his home, setting Ciro’s enemies a uniquely difficult challenge.
The Hidden Child
Bad Tales
Fabio D'Innocenzo, Damiano D'Innocenzo
Elio Germano, Tommaso Di Cola
In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.
Bad Tales
Lei mi parla ancora
Pupi Avati
Renato Pozzetto, Stefania Sandrelli
Nino and Caterina have been married for 65 years. After Caterina's death, their daughter Elisabetta, trying to help her father to overcome the loss, hires an author to write a book on their love story.
Lei mi parla ancora
Perez.
Edoardo De Angelis
Luca Zingaretti, Marco D'Amore
Demetrio Perez is a tough prosecutor torn between the corruption inherent in his job and the desire to do right by his family. But when opportunity presents itself and his daughter Thea falls in love with a Mafioso’s son, Perez has to cut through the morality of his law-abiding roots and become as dirty as the dangerous criminals he represents.
Perez.
Il cattivo poeta
Gianluca Jodice
Sergio Castellitto, Francesco Patanè
1936. Giovanni Comini, the youngest Federal in Fascist Italy, is summoned to Rome for a delicate mission: to surveil aging national poet Gabriele D'Annunzio, whose increasingly restless behavior Mussolini fears could damage his alliance with Nazi Germany. However, after spending time with D'Annunzio, Comini finds himself torn between loyalty to the Party and his fascination with the poet, who will put his burgeoning career at risk.
The Bad Poet
Ride
Valerio Mastandrea
Chiara Martegiani, Renato Carpentieri
A woman and her 10-year-old son face, in their own way, the mourning for the death of the husband and father, which took place in a factory, while the waiting and the recollection for the day of the funeral grow all around.
Ride
Il Ladro di Cardellini
Carlo Luglio
Nando Paone, Ernesto Mahieux
In the Campania countryside, Pasquale Cardinale, an elder ranger, spends his days between alcohol and video poker. To settle the debts he organizes a scam of 200 white pure goldfinches, replacing them with common ones, but it will not end as expected.
The Finch Thief
Lasciami andare
Stefano Mordini
Stefano Accorsi, Valeria Golino
Marco and Anita discover they are expecting a child. Finally a ray of light in Marco’s life after his heartbreak following the loss of Leo, his first born with his former wife Clara. Suddenly, however Perla, the new owner where the couple lived until the tragic accident, bursts into Marco’s and his ex-wife’s lives. The mysterious woman claims she keeps feeling a strange presence and hearing the voice of a child that is tormenting her and her son. Marco therefore finds himself torn between the ties of the past and an unwritten future.
You Came Back
