
José Eduardo Agualusa
2021So far five of his books have been translated to English: « Creole » (2002, Arcadia. Orig.: « Nação crioula »), « The Book of Chameleons » (2006, Arcadia, UK; 2008, Simon & Schuster, USA. Orig.:« O Vendedor de Passados »), « My father’s wives » (2008, Arcadia. Orig.: « As mulheres do meu pai »), « Rainy Season » (2009, Arcadia. Orig.: « Estação das Chuvas ») and "General Theory of Oblivion" (2015,Penguim Random House 2015, Archipelago Books. Orig.: "Teoria Geral do Esquecimento")
He also wrote five plays, "W generation", "Aquela mulher", "Chovem amores na Rua do Matador","A Caixa Preta" and "O terrorista elegante", the last three written with Mia Couto.
He received three literary grants. One from the Centro Nacional da Cultura in 1997 to write Creole; the second one received in 2000 from the Fundação do Oriente, allowed him to stay three months in Goa and write « Um estranho em Goa»; and the third one given in 2001 by the Deutscher Akademischer Austausch Dienst, allowed him to live one year in Berlin where he wrote « O Ano em que Zumbi Tomou o Rio ». In the begining of 2009 Agualusa completed his novel « Barroco tropical » in Amsterdam, while living in the Writers Residency, a joint initiative by the Dutch Foundation for Litterature and the Foundation for the Production and Translation of Dutch Literature.
Karingana - Licença para contar
Mônica Monteiro
Maria Bethânia, José Eduardo Agualusa
Maria Bethânia takes her poetic narrative to Mozambique for the first time. The interpreter presents excerpts of works connected by different forms of expression in the Portuguese language. With testimonies from Mia Couto, José Agualusa and several Mozambican and Angolan writers and literary critics, the documentary shows the development of literature in these countries, delving on its importance during the anti-colonial resistance, the connection with native languages, the oral traditions and the influence of Brazilian writers.
Karingana - Licença para contar
O Fascínio das Histórias
António Pinhão Botelho
Nuno Artur Silva, José Eduardo Agualusa
A digressive quest, through conversations with various people, about the need humanity has always had to tell stories about itself, about the power and enchantment of fiction.
O Fascínio das Histórias