Vadim Muntagirov
2021
Coppélia (Royal Opera House)
Kevin O'Hare
Marianela Núñez, Vadim Muntagirov
A classic returns to the Royal Ballet repertory with Ninette de Valois’ charming and funny Coppélia– a story of love, mischief and mechanical dolls. The intricate choreography is set to Delibes’ delightful score and shows off the technical precision and comedic timing of the whole Company. Osbert Lancaster’s designs bring a colourful storybook world to life in this Christmas treat for the whole family.
Coppélia (Royal Opera House)
Royal Ballet All-Star Gala
Peter Jones
Anita Rani, Francesca Hayward
The stars of the Royal Ballet perform a very special selection of the best of ballet. From the ultra-contemporary Untouchable by Hofesh Schechter to the Hollywood glitz of Carousel, there is something for everyone in this glorious gala. The stellar partnership of Marianela Nuñez and Vadim Muntagirov tackle one of the great classical pas de deux from Don Quixote, and the larger forces of the whole company are seen in Elite Syncopations. Natalia Osipova dances the famous Dying Swan, and choreographers including Wayne McGregor, Christopher Wheeldon and Cathy Marston rub shoulders with Frederick Ashton and Kenneth Macmillan. The orchestra of the Royal Opera House is conducted by Jonathan Lo. Presented by Anita Rani.
Royal Ballet All-Star Gala
La Bayadère (The Royal Ballet)
Ross MacGibbon
Marianela Núñez, Vadim Muntagirov
Set in the Royal India of the past, La Bayadère is a story of eternal love, mystery, fate, vengeance, and justice. The ballet relates the drama of a temple dancer (bayadère), Nikiya, who is loved by Solor, a noble warrior. She is also loved by the High Brahmin, but does not love him in return, as she does Solor.
La Bayadère (Royal Ballet)
The Nutcracker (Royal Opera House)
Marianela Núñez, Marcelino Sambé
Clara is given an enchanted Nutcracker doll on Christmas Eve. As midnight strikes, she creeps downstairs to find a magical adventure awaiting her and her Nutcracker. Recorded on stage 3 December 2018—15 January 2019 as part of the Autumn 2018/19 season.
The Nutcracker (Royal Ballet)
Giselle
Marianela Núñez, Vadim Muntagirov
The peasant girl Giselle discovers the true identity of her lover Albrecht – and that he is promised to another. Giselle kills herself. Her soul enters the ranks of the Wilis – shades of young women who died before their wedding day. All men that come across their path are compelled to dance themselves to death, and Albrecht falls into their trap. Giselle’s intercession saves Albrecht and releases her soul from the Wilis’ power.
Giselle
Genesis
Sarah Lamb, Alina Cojocaru
Crystal Ballet’s Genesis is a work telling the stages of a relationship of two lovers, split into four movements danced by some of the world's great classical ballet dancers Sarah Lamb and Steven McRae, award winning Daria Klimentova and Vadim Muntagirov , the wonderful Erina Takahashi and Esteban Berlanga , and talented star couple Alina Cojocaru and Johan Kobborg, choreographed by two leading choreographers, Kim Brandstrup and Ernst Meisner.
Genesis
Manon (The Royal Ballet)
Ross MacGibbon
Sarah Lamb, Vadim Muntagirov
Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist.
Manon (The Royal Ballet)
The ROH Live: The Dream / Symphonic Variations / Marguerite and Armand
Akane Takada, Steven McRae
The Dream: Frederick Ashton’s delightful interpretation of Shakespeare’s A Midsummer Night’s Dream is a classic of The Royal Ballet’s repertory. Symphonic Variations: Ashton was inspired to create a ballet on the four seasons – but as he began to choreograph he refined and purified until the ballet shook off its original meaning, emerging as an abstract celebration of movement and physicality. Marguerite and Armand: Marguerite, a Parisian courtesan, lies on her deathbed. She recalls her tragic love affair with Armand in a series of feverish flashbacks.
The ROH Live: The Dream / Symphonic Variations / Marguerite and Armand
Concerto / Enigma Variations / Raymonda Act III (Royal Ballet)
Ross MacGibbon
Anna Rose O'Sullivan, James Hay
From The Royal Ballet’s classical origins in the works of Petipa, to the home-grown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarized in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of the Company’s heritage.
Concerto / Enigma Variations / Raymonda Act III (Royal Ballet)
The Royal Ballet: Within the Golden Hour / Medusa / Flight Pattern
Ross MacGibbon
Beatriz Stix-Brunell, Francesca Hayward
Christopher Wheeldon's Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Ezio Bosso and lit with the rich colours suggested by sunset. In Flight Pattern, Crystal Pite combines Górecki's haunting “Symphony of Sorrowful Songs” with a large dance ensemble to create a poignant and passionate reflection on migration. Between them, Medusa is new work inspired by the Greek myth, created for The Royal Ballet by the acclaimed choreographer Sidi Larbi Cherkaoui, which juxtaposes Purcell arias with an electronic score by Olga Wojciechowska.
The Royal Ballet: Within the Golden Hour / Medusa / Flight Pattern
The Sleeping Beauty
Marianela Núñez, Vadim Muntagirov
The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.
The Sleeping Beauty
