Claude Chabrol
1930 - 2010Chabrol's career began with Le Beau Serge (1958), inspired by Hitchcock's Shadow of a Doubt (1943). Thrillers became something of a trademark for Chabrol, with an approach characterized by a distanced objectivity. This is especially apparent in Les Biches (1968), La Femme Infidèle (1969) and Le Boucher (1970) — all featuring his then-wife, Stéphane Audran.
Sometimes characterized as a "mainstream" New Wave director, Chabrol remained prolific and popular throughout his half-century career. In 1978, he cast Isabelle Huppert as the lead in Violette Nozière. On the strength of that effort, the pair went on to others including the successful Madame Bovary (1991) and La Ceremonie (1996).
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Kino der Zeichen: Claude Chabrol über Alfred Hitchcock
Robert Fischer
Claude Chabrol
Legendary French film director and Nouvelle Vague co-founder Claude Chabrol takes us back to the mid-fifties, when he and then-fellow film critic François Truffaut met and interviewed Alfred Hitchcock under hilarious circumstances. Chabrol then describes how he went on to write, with Eric Rohmer, the first book on Hitchcock, and even served as a consultant when Hitch came to Paris to direct his film TOPAZ. Several key scenes from Hitchcock movies, with a special emphasis on UNDER CAPRICORN, are discussed and dissected.
A Cinema of Signs: Claude Chabrol on Alfred Hitchcock
François Truffaut: Portraits volés
Michel Pascal, Serge Toubaina
François Truffaut, Jean-Pierre Léaud
Twenty-six people - including two daughters, an ex-wife, his last lover, actors, fellow directors and writers, a neighbor, and boyhood friends - talk about François Truffaut. They discuss his attitudes toward wealth, his early writings about cinema, the undercurrent of violence in his films and his personality, the way he used and altered events in his life when making films, his search for a father (both artistic and biological), his relationship with his mother, the scenes in his films that cause a squirm of embarrassment, and his ultimate mysticism. Clips from a dozen of his films are included.
François Truffaut: Stolen Portraits
This Man Must Die
Claude Chabrol
Michel Duchaussoy, Caroline Cellier
When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.
This Man Must Die
La Ceremonie
Claude Chabrol
Isabelle Huppert, Sandrine Bonnaire
Sophie, a quiet and shy maid working for an upper-class French family, finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers.
La Ceremonie
La parure
Claude Chabrol
Cécile de France, Thomas Chabrol
Mathilde and her husband, who works in a minister's office, are not rich. Mathilde, however, loves beautiful clothes and her husband loves her too much that he lets her do anything she wants. One day they receive an invitation for an important party and she wants to look her best. She borrows a beautiful diamond necklace from her rich friend, but then the necklace gets lost.
The Necklace
Claude Chabrol, l'entomologiste
André S. Labarthe
Claude Chabrol, Jean Douchet
Made for "Cinéma, de notre temps" series. In a peaceful residence near the Loire River, Chabrol raised his favorite characters : monsters. In this documentary, we can see him actively working on the adaptation of Simenon's novel "Betty", and answering the questions posed by Jean Douchet (his former colleagues at the magazine "Cahiers du Cinéma"). Excerpts from The Butcher (Le Boucher), Violette Nozière, The Hatter's Ghost (Les Fantômes du chapelier) and Masks (Masques) will punctuate their meaningful and witty conversation.
Claude Chabrol, l'entomologiste
Story of Women
Claude Chabrol
Isabelle Huppert, Франсуа Клузе
France, World War II. In order to somehow make ends meet, the mother of two children, Marie Latour, does underground abortions and rents a room to a familiar prostitute. She doesn't pay any attention to her husband, who returned from the war because of his injury and lives her own life. Abortions gradually begin to bring a good income, and boredom can be easily dispelled by starting a young lover.
Story of Women
Jeunesse et Spiritualité: Cyprien Katsaris
Claude Chabrol
Filmed piano recital given by the then-28 year-old Cyprien Katsaris. Directed by French cinema legend Claude Chabrol. Contains performances of the following pieces: Robert Schumann (1810-1856) : Scènes d'enfants (Kinderszenen), Op.15 Franz Schubert (1797-1828) : Ave Maria (Arrangement : F. Liszt) Jacques Arcadelt (1500?-1568) : Ave Maria (Arrangement : F. Liszt) Franz Liszt (1811-1886) : Prélude et Marche funèbre Olivier Messiaen (1908-1992) : Regard de l'Eglise d'Amour (n°20 des vingt regards sur l'enfant Jésus)
Jeunesse et Spiritualité : Cyprien Katsaris
Chaplin Today: Monsieur Verdoux
Bernard Eisenschitz
Claude Chabrol, Norman Lloyd
A short documentary in the Chaplin Today series about Chaplin's "Monsieur Verdoux." Includes an interview with Claude Chabrol, whose 1963 film "Landru" concerns the same serial killer that inspired Chaplin's film.
Chaplin Today: 'Monsieur Verdoux'
Les Cousins
Claude Chabrol
Gérard Blain, Jean-Claude Brialy
Charles is a young provincial coming up to Paris to study law. He shares his cousin Paul's flat. Paul is a kind of decadent boy, a disillusioned pleasure-seeker, always dragging along with other idles, while Charles is a plodding, naive and honest man. He fell in love with Florence, one of Paul's acquaintances. But how will Paul react to that attempt to build a real love relationship ? One of the major New Wave films.
The Cousins
