
Sarah Miles
2021Miles' films have been screened extensively as single screen and installation works at cinemas and galleries and broadcast on Channel 4, Canal 4 and BBC2. Screenings at international film festivals include Oberhausen, Rotterdam, Melbourne and Chicago, and artist presentations include: Tate Britain; Arnolfini UK, Pacific Film Archive, Image Forum, Japan and Los Angeles Film Forum. She has lectured in Visual Theory at KIAD and freelance work includes pop promos and DVD extras. She lives and works in London and has a son.
I have found that my work is a revealing of something I don't really want to say but have desperately needed to communicate. Perhaps it's the need to keep it hidden that makes it poetic so that what is meant is felt. SM
Sarah is also a very interesting theorist and writer; her proposals pose complex philosophical questions, which, it seems to me, her films are attempts at resolving.
- Gary Thomas
Amaeru Fallout 1972
Sarah Miles
PJ Harvey
amaeru(v). the attempt to draw close; depend; belong…’ Two Japanese girls appear in the West country in a radio transmitter field above Eggardon Fort; they go to school in Lyme Regis; they live in the countryside; they sleep in the same bed; they explore the town; they separate. Amaeru.. is a dreamlike narrative of transience and separation, an ode to homesickness through place and time. Includes PJ Harvey performing a specially composed version of the Three Degrees’ "When Will I See You Again."
Amaeru Fallout 1972
No Place (Looking Back + Looking Forward)
Sarah Miles
No Place, set in King's Cross, London, represents the point of view of a woman (Dorothy from the Wizard of Oz grown up into Judy from Hitchcock's classic Vertigo) looking back, from the apparent sanctuary of a church, contrasting her memories of the countryside with a loss of innocence, and of childhood illusions, following her arrival in the Emerald City. An elusive collage of real and fictional characters who all live in a kind of temporary limbo a long way from home but still looking for a sense of belonging.
No Place (Looking Back + Looking Forward)