
Solange Sicard
2021Nous sommes tous des assassins
André Cayatte
Marcel Mouloudji, Raymond Pellegrin
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
We Are All Murderers
La plus belle fille du monde
Christian Stengel
Nadine Alari, Françoise Arnoul
In order to please Martineau, a wealthy industrialist, cynical Gabory accepts to organize a rigged beauty contest whose winner will be Françoise, Martineau's young mistress. However, there are other comely contestants among whom Christiane, the daughter of a general, Jackie, an unemployed actress, Colette, the daughter of a distiller and Marie, a secretary engaged to serious-minded construction foreman Robert. So, will things turn out exactly the way Martineau and Gabory want them...?
The Most Beautiful Girl in the World
Quitte ou double
Robert Vernay
Zappy Max, Suzanne Dehelly
In Bourganeuf, an old maid, Charlotte Bourdier, confesses to Marie Chassagne that she has forged a sentimental intrigue by correspondence with the presenter of the Radio Circus, Zappy Max. Marie agrees to meet him when he comes, but she in turn falls in love with him, who confesses his love to her.
Double or Quits
Mannequins de Paris
André Hunebelle
Madeleine Robinson, Ivan Desny
Véronique Lanier runs one of the most highly rated haute couture houses in Paris. Her first partner is her husband Pierre, who has left aside a promising artist career to design the styles which make their firm a success. The trouble is that Véronique lives only for her job and does not allow herself -and her husband for that matter - a moment's respite. In Cannes, Pierre meets Wanda, a young singer with strange, fascinating eyes. The frustrated husband falls for her but gradually realizes that the light mercurial creature cannot possibly fulfill him. Véronique, feeling miserable, understands she is on the wrong track. She promises Pierre that she will make efforts to reconcile work and married life. Véronique and Pierre will live and work together again, each one forgiving the other for their faults.
Mannequins of Paris
Les petites alliées
Jean Dréville
Madeleine Renaud, Constant Rémy
A young girl has left her family and lives as best she can on the generosity of her lovers. A naval officer introduces her to Toulon in a special environment which provides companions to sailors on leave. After some setbacks, she finds love and protection with a doctor who marries her.
Les Petites Alliées