Linda Marlowe
1940 (85 лет)
Metamorphosis
Jim Goddard
Тим Рот, Steven Berkoff
TV film of Steven Berkoff's stage adaption of Kafka's famous story in which a young man, who is the sole financial supporter of his family, awakes one morning in the form of a giant dung beetle and thereby becomes a nuisance to his family, who must now learn to rely upon themselves.
Metamorphosis
Dyn Amo
Stephen Dwoskin
Jenny Runacre, Pat Ford
'Dyn Amo' is a 'drama' exploring the distinction between a person's self and his projection of that self to others; and it's a 'horror movie' tragically suggesting how a projection can become more substantial than the self behind it. Its subjects are role-playing (especially sexual role-playing), and the masochism of playing a role that conforms to others' exploitative interests.
Dyn Amo
The Man Outside
Samuel Gallu
Van Heflin, Heidelinde Weis
Bill MacLean is a former CIA agent living in London. He had been fired when he stuck up for one of the men in his command who turned out to be branded a Russian defector. The embittered ex-agent combines forces with another operative to deliver a top Russian secret police official for a price. Before he can deliver the Russian, a trail of corpses and double crosses changes his plans. When his partner who concocted the scheme is murdered, MacLean returns the check to the CIA. They offer him his old job back, but the proud man refuses.
The Man Outside
That Kind of Girl
Gerry O'Hara
Margaret Rose Keil, Linda Marlowe
That Kind of Girl is a British cult film and the directorial debut of Gerry O'Hara. Produced by Robert Hartford-Davis with a script by Jan Read, it was released in 1963. The film's subject is premarital sexual relationships and sexually transmitted diseases in an English 1960s millieu.
That Kind of Girl
Girl
Stephen Dwoskin
Linda Marlowe
It is quite revealing how complex the simple form is. Shot one to one, a girl is confronted with nothing more than her thoughts. In the period of watching her (while she is looking at you) her expressions and movements turn into a 'mirror' for the viewer to experience his or herself. The experience is solely emotive between you and her, and occurs in "real" time. (Stephen Dwoskin)
Girl
Night After Night After Night
Lindsay Shonteff
Jack May, Gilbert Wynne
There's a killer on the loose in London, and whilst our typically craggy copper DI Rowan investigates, Judge Lomax is busy in court, dishing out harsh sentences to everyone who comes before him.
Night After Night After Night
The Swordsman
Lindsay Shonteff
Linda Marlowe, Alan Lake
When Harriet Zapper is hired to find the identity of Karel Duval, and the true heir to the Duval family fortune, a bloody trail of murders leads the Big Zapper from London to the South of France and into a hornet's nest of betrayal and death.
The Swordsman
