Sophie Marceau
1966 (59 лет)In February 1980, Marceau and her mother came across a model agency looking for teenagers. Marceau had photos taken at the agency, but did not think anything would come of it. At the same time, Françoise Menidrey, the casting director for Claude Pinoteau's La Boum (1980), asked modelling agencies to recommend a new teenager for the project. After viewing the rushes, Alain Poiré, the director of the Gaumont Film Company, signed Marceau to a long-term contract. La Boum was a hit movie, not only in France, where 4,378,500 tickets were sold, but also in several other European countries.
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Braveheart
Мэл Гибсон
Мэл Гибсон, Catherine McCormack
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
Braveheart
Le Cerveau d'Hugo
Sophie Révil
Sophie Marceau, Charles Fresse
The Hugo's Brain is a French documentary-drama about autism. The documentary crosses authentic autistic stories with a fiction story about the life of an autistic (Hugo), from childhood to adulthood, portraying his difficulties and his handicap.
The Hugo's Brain
L'aube à l'envers
Sophie Marceau
Judith Godrèche, Jerzy Grałek
A young woman comes home to a half-empty apartment, and she feels alone. An older man walks through the corridors of a half-empty airport, and he feels alone and sad. He takes a photograph out of his wallet, tears it in two and drops it on the moving walkway. Both are torn in two. A girl in Paris is alone with a cat. A man arrives in Warsaw, and a woman is there to meet him. She drives him to his parents’ home. An accident, a murder—nothing alters the imperturbable course of life.
L'aube à l'envers
Braveheart: A Look Back
Мэл Гибсон, Sophie Marceau
A three-part retrospective that aims to capture what it is that made Braveheart a success. Part one features behind-the-scenes stills and clips from the film, all intertwined with interview pieces with cast and crew that recount the construction of the story, the purpose behind telling it, the scope of the production, the challenge of putting it all together, the difficulties of the shoot, and much more. Part two focuses primarily on Mel Gibson's prowess as a director but also recounts some lighthearted moments from the set, looks at Mel Gibson's makeup, and more. The third part examines the process of editing the film together, shooting the battle scenes, the film's emotional core, its staying power, and more.
Braveheart: A Look Back
’Round Midnight
Bertrand Tavernier
Dexter Gordon, Франсуа Клузе
Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.
'Round Midnight
Firelight
William Nicholson
Sophie Marceau, Stephen Dillane
In 1838, lovely governess Elisabeth agrees to bear a child of anonymous English landowner, and he will in return pay her father's debt. At birth she, as agreed, gives up the child. Seven years later she is hired as governess to a girl on a remote Sussex estate. The father of the girl, Charles Godwin, turns out to be that anonymous landowner. So Elisabeth has to be her own daughter's governess, and she can't reveal the secret of her tie with little Louisa.
Firelight
Fanfan
Alexandre Jardin
Sophie Marceau, Vincent Perez
After seeing the initial passion and romance fade into a series of routine and boring relationships, Alexandre (Vincent Perez) concludes that romance ends when sex enters into a relationship. Determined to prevent this from happening with his latest love-interest—a sexy young woman named Fanfan (Sophie Marceau)—he decides that platonic love is the solution. Despite the wonderful, romantic, and inventive ways Alexandre finds for them to spend time together, Fanfan is left disappointed by his refusal to make love to her. Their exciting relationship becomes jeopardized by Alexandre's unwillingness to change his new approach to love.
Fanfan
Cartagena
Alain Monne
Sophie Marceau, Christopher Lambert
Muriel is beautiful, free-spirited and bed-ridden since a horrific accident. Leo is a drunk middle-aged ex-boxer. Desperate for work and unqualified, he interviews for Muriel, who hires him to cook and care for her against her better judgment. Initially out of his depth, Leo slowly wins Muriel's trust. As Muriel teaches him to read, he forces her to confront the joys beyond her window.
Cartagena
Female Agents
Jean-Paul Salomé
Sophie Marceau, Julie Depardieu
May 1944, a group of French servicewomen and resistance fighters are enlisted into the British Special Operations Executive commando group under the command of Louise Desfontaines and her brother Pierre. Their mission, to rescue a British army geologist caught reconnoitering the beaches at Normandy.
Female Agents
Żuławski o Żuławskim
Jakub Skoczeń
Andrzej Żuławski, Sophie Marceau
A portrait of film director Andrzej Żuławski. This biographical documentary shows the different layers of the personality of the artist and doesn't hide the contradictions of his nature. The confessions of Żuławski are alternated with fragments of his films, showing the twists and turns of his personal life and art.
Żuławski on Żuławski
Mel Gibson's 'Braveheart': A Filmmaker's Passion
Toby Reisz, Tom Shelly
Мэл Гибсон, Randall Wallace
A very well structured making-of ducumentary for the film Braveheart (1995). We learn about how Mel Gibson got attached to the project as star, director and producer. This is a fairly informative piece that is a great companion to the film.
Mel Gibson's 'Braveheart': A Filmmaker's Passion
Bond Girls Are Forever
John Watkin
Maryam d'Abo, Ursula Andress
Through vintage film clips of past Bond movie epics, and with the participation of several former "Bond Girls" as interviewees (among them Dr. No's Ursula Andress and Diamonds Are Forever's Jill St. John), the documentary traces the evolution of the typical James Bond heroine from decorative damsel in distress to gutsy (but still decorative) participant in the action.
Bond Girls Are Forever
