Orlan Roy
2021La beauté du diable
Stéphane Marti
Orlan Roy
The Devil's beauty is first a garden lived by fettereds statues, bodies tensed between sensuality, damnation and sacred. The film seduce by a brillant camera editing as a clear music. In a singular rhythm, images fall down as flights of quavers before a short lull, a shot, like a note...
La beauté du diable
Turquoise
Orlan Roy
Leila Albayaty, Oriane Brun-Moschetti
When we’re moving, walking, watching, driving, how do we breathe? European Summer road diary. Back-and-forth with friends, music, Super8, video, poems. It’s an inner travelling hard to finish and give, because that kind of ‘catches’ doesn’t stop itself. As life is unrecordable, I play and replay reflections at many fps (frames per second - or second frames).
Turquoise
Mira corpora
Stéphane Marti
Marcel Mazé, Anders Ulrich
The film appears like a ritual with splendids and crypteds psalms. The Great Master of Order (Marcel Mazé, new fetish actor after Aloual) seduces the young male prey with a running cinema projector which carves Murnau's Nosferatu extracts on their bodies. Metamorphosis, rituals passages, Eros and Thanotos, illusion and reality, film into the film are the themes and images in perpetual osmosis in this Stéphane Marti's opus.
Mira corpora
Trésors
Orlan Roy
What can we see of the desert inside us? Musicians, dancers and comedians, solitary figures yet animated by a common history. The bodies inhabiting this film are all haunted by characters, imaginary travels and archives from a collective past. It was shot in Plélo, in Bretagne, France at Maitre Jacques.
Trésors
