Cleyton Xavier

Rodson ou (Onde o Sol Não Tem Dó)

Orlok Sombra, Cleyton Xavier

Orlok Sombra, S. brxxzkjxkzxkxkz

These are the pre 3000 years. Art is a crime. Reflecting is prohibited. Reading is no more. Only mass production and consumption are allowed. RODSON®. A boy with his animalistic artistic instinct repressed by the society around him, just one of many… The anarcocrenty government makes the mistake of thinking that the beast has been under control, but its mind conceives CALEB® the RODSON @ alterego that launches it off the road, abandoning air conditioners in search of the perfect hallucination under the merciless sun of 2000°C that the last layer of exosphere provides the current society.

A Nau dos Loucos: Mergulho e Decolagem de Pazucus

Gurcius Gewdner

Raphael Aguinaga, Carlos Thomaz Albornoz

With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?

Amigo Especial

Cleyton Xavier

Fataurex

Cleyton Xavier

Tsunami Guanabara

Cleyton Xavier, Lyna Lurex

Jaiz

Cleyton Xavier, Sofócles Borcolówscziick

Cleyton Xavier, Sofócles Borcolówscziick

Os Anos 3000 Eram Feitos de Lixo (ou Quando a Dignidade da Raça Humana Se Afogou no Chorume Estático da Arte da Hipocrisia)

Cleyton Xavier, Ana All

Cleyton Xavier, Clara Chroma

Garbage mountains through the streets. People covered with garbage and moisturizing with manure. Garbage with a neon glow. Trash with hologram and stereo sound. Garbage is a high competition billboard. Garbage is the new currency and its ballast is greater than gold.