Denise Grey
1896 - 1996Denise Grey, real name Édouardine Verthuy, was a French actress.
Édouardine Grey was born Châtillon, in the Aosta Valley in north-west Italy, close to the French border. The city was almost totally French-speaking at the time. She was naturalized French on July 13, 1922. She started working in the film industry in 1915 in the silent film En famille, an adaptation of the novel by Hector Malot, before dedicating herself to theatre. She went back to working in films, now talkies, in the 1930s. She came to fame in the 1940s with films such as Monsieur Hector (1940), Boléro (1942) or Devil in the Flesh (1947). Old age did not put an end to her career. For example, in 1972, she starred in a French television series called Les Rois maudits. Thanks to the film La Boum, in which she plays "Poupette", the great-grandmother of Sophie Marceau, she gained recognition from a new audience growing up in the 1980s.
She was a member of the Comédie-Française between 1944 and 1946 and between 1957 and 1958.
She had a daughter: Suzanne Grey, also an actress, who was born on 28 June 1917 and died on 13 December 2005.
In 1986, she sang Devenir vieux (Becoming Old). She died in 1996, a few months before reaching the age of 100. She rests next to her husband in the cemetery of Arradon (Morbihan).
Carve Her Name With Pride
Lewis Gilbert
Virginia McKenna, Paul Scofield
London, England, during World War II. After living a tragic life experience, young Violette Szabo joins the Special Operations Executive and crosses the German enemy lines as a secret agent to aid a French Resistance group.
Carve Her Name with Pride
La dame de Vittel
Roger Goupillières
Alice Field, Frédéric Duvallès
In Paris, Jean Bourselet, a great lover of pretty women, meets the charming Madeleine, whom men are not afraid of, and whose husband is a hotelier in Vittel. Provided with a note from his doctor, Bourselet goes off to Vittel. His wife Henriette, on her guard, joins her there and discovers that her husband is pretending to be a widower to better woo his beautiful. Henriette declares herself a widow, and flirts with a man. The lesson will bear, and after a few adventures, Bourselet is delighted to find his wife.
La dame de Vittel
Le diable au corps
Claude Autant-Lara
Micheline Presle, Gérard Philipe
In France during World War I, Marthe waits for her husband, Jacques, while he fights on the front lines. Marthe then begins a tempestuous affair with 17-year-old François, with whom she had a dalliance before marrying Jacques. Jealous François struggles with the fact that Marthe is married, while she tries to prove her devotion to her young, hotheaded lover. Things become even more complex when Marthe becomes pregnant with Jacques' baby.
Devil in the Flesh
Sylviane de mes nuits
Marcel Blistène
Denise Grey, Frank Villard
Michel Lenoir, a successful interior designer, has reached the middle of his life without ever getting married. A bit blue over it he dreams one night of a beautiful young woman. When he wakes up he is persuaded that this is the girl meant for him. He can't help thinking about her, talking about her, drawing her figure, her face, her eyes on paper. He even gives her a name: Sylviane. Later on, as he is holidaying in Portugal, he notices a charming girl swimming in the pool he is in. No doubt about it : he has found Sylviane. He follows her, talks to her, woos her and they are soon married. However, back in Paris, Michel realizes that Betty, an articulate sports writer, is not the idealized woman his brain had conceived. Things go awry and the couple is about to separate when well-meaning friends intervene and open up Michel's eyes : he must base his love story on everyday reality not on idle dreaming.
Sylviane de mes nuits
Demain nous divorçons
Louis Cuny
Sophie Desmarets, Jean Desailly
Max and Colette often bother the lawyer Vermorel to initiate divorce proceedings, then everything calms down. An anonymous letter escalates the disputes, it borders on disaster but living together has obvious charms.
Tomorrow We Get Divorced
Les Caves du Majestic
Richard Pottier
Albert Préjean, Suzy Prim
In my “cellar” where case workers all the people of a great hotel, the head of the café, Donge, finds the corpse of Mrs Petersen, a rich client. The investigation by Maigret allows him to rub the husband of the victim, a Swede, Teddy, Ms Petersen’s son, his housekeeper, a social dancer and Donge himself who is the natural father of Teddy. The child he will go to his real father or not he will leave the rich Petersen who adores? The murder mystery and enigma sentimental are resolved by Maigret.
Majestic Hotel Cellars
