Trisha Morton-Thomas

Destiny in Alice

Sonja Dare

Trisha Morton-Thomas

In the Heart of Australia, one of the harshest places on the planet, the town of Alice Springs has become a haven for lesbians, confronting the challenges of loving across racial and cultural gaps.

Nobody's Child

CJ Friday

Tionne Eades, Tanaya Headland

Lolly has always searched for her father who abandoned her and her sister DeDe, believing that finding him will right all wrongs. Her quest leads her into an adult world, which it seems, is no place for a child. The answers Lolly seeks are secreted in the unspoken past. As the doors close on her efforts, Lolly is faced with the harshest of realities. Nobody’s Child is a coming of age story about a young girl searching for her identity.

History Bites Back

Trisha Morton-Thomas

Trisha Morton-Thomas, Elaine Crombie

Trisha Morton-Thomas teams up with Elaine Crombie and Steven Oliver to bite back at negative social media comments and steer the conversation towards the historical context of the fortunes and misfortunes of Indigenous Australians – from social security, citizenship and equal wages to nuclear bombs and civil actions.

Annika

Rachel Perkins

Deborah Mailman, Trisha Morton-Thomas

The sharp, witty and enigmatic DI Annika Strandhed, as she heads up a new specialist Marine Homicide Unit (MHU) that is tasked with investigating the unexplained, brutal, and seemingly unfathomable murders.

Radiance

Rachel Perkins

Deborah Mailman, Trisha Morton-Thomas

After the death of their mother, three estranged sisters return to their childhood home.

Mimi

Warwick Thornton

Sophie Lee, Aaron Pedersen

A white collector of Aboriginal art gets a shock when the Mimi sculpture she purchased comes to life.

Bungalung

Trisha Morton-Thomas

Around a campfire, on a moonlit night, two Anmatjere Elders, Patsy and Jane Briscoe, sing and re-tell an epic Dreaming story told to them by their father and grandfather. It is a story of two young men who are forced into action when a clan of demon Cannibals devour their entire tribe and kidnap the young men's mother and sister. Alone and outnumbered, the young men defy all odds as they defeat the demons and reclaim their women.

Occupation: Native

Trisha Morton-Thomas

The Aboriginal story has been buried deep beneath the 247-year-old accepted Australian narrative. In OCCUPATION: NATIVE, Aboriginal filmmaker Trisha Morton-Thomas, bites back at Australian history.