Joe Kirk
2021Abbott and Costello: The Drugstore
Jean Yarbrough
Bud Abbott, Lou Costello
Bud and Lou get jobs in Mr. Fields' Drugstore. Originally filmed as the first episode of the Abbott and Costello TV show, it was released on film and shown theatrically in certain markets.
Abbott and Costello: The Drugstore
The Naughty Nineties
Jean Yarbrough
Bud Abbott, Lou Costello
In the gay '90s, cardsharps take over a Mississippi riverboat from a kindly captain. Their first act is to change the showboat into a floating gambling house. A ham actor and his bumbling sidekick try to devise a way to help the captain regain ownership of the vessel.
The Naughty Nineties
Beyond a Reasonable Doubt
Fritz Lang
Dana Andrews, Joan Fontaine
A newspaper publisher, wanting to prove a point about the insufficiency of circumstantial evidence, talks his possible son-in-law Tom into a hoax in an attempt to expose ineptitude of the city's hard-line district attorney. The plan is to have Tom plant clues leading to his arrest for killing a female nightclub dancer. Once Tom is found guilty, he is to reveal the setup and humiliate the DA.
Beyond a Reasonable Doubt
Pardon My Sarong
Erle C. Kenton
Bud Abbott, Lou Costello
A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.
Pardon My Sarong
Buck Privates Come Home
Charles Barton
Bud Abbott, Lou Costello
Two ex-soldiers return from overseas--one of them having smuggled into the country a French orphan girl he has become attached to. They wind up running into their old sergeant--who hates them--and getting involved with a race-car builder who's trying to find backers for a new midget racer he's building.
Buck Privates Come Home
Little Giant
William A. Seiter
Bud Abbott, Lou Costello
Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's a crackerjack salesman. This comedy is somewhat like "The Time of Their Lives," in that Abbott and Costello don't have much screen time together and there are very few vaudeville bits woven into the plot.
Little Giant
Here Come the Co-eds
Jean Yarbrough
Bud Abbott, Lou Costello
Molly, her brother, Slats, and his pal, Oliver, are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby's progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school's mortgage if Molly isn't expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.
Here Come the Co-eds
The Noose Hangs High
Charles Barton
Bud Abbott, Lou Costello
Two window washers who are mistaken by Nick Craig, a bookie, as the messengers he sent for to pick up $50,000. Now the person he sent them to sent two of his men to get the money back but they found out about it. So they try to mail to Craig but a mix up has the money sent somewhere else and the woman who got it spent it. Now Craig needs the money to pay off one of his clients.
The Noose Hangs High
Over My Dead Body
Malcolm St. Clair
Milton Berle, Mary Beth Hughes
Berle plays a mystery writer who forever writes himself into corners and is never able to finish a story. While visiting his wife (Mary Beth Hughes) at the office where she works, Berle overhears several men discussing the suicide of a coworker. Struck with a brilliant notion, Berle decides to confess to the murder of the dead man, certain that he'll be able to wriggle out of the situation and thereby have plenty of material for a story.
Over My Dead Body
