Nadezhda Igoshina
1987 (38 лет)Как Надя пошла за водкой
Vladimir Mirzoev
Yevgeni Tsyganov, Evgeniya Solyanykh
Nadya and Valya, young women on the verge of a nervous breakdown, without faith and hope for the best, sisters, of whom, ironically, there are only two left. Will they be able to break out of their "Chekhovian" stupor and again begin to feel, breathe, live and love?
How Nadya Went to Get Vodka
Конверт
Vladimir Markov
Yulia Peresild, Igor Lizengevich
A strange envelope is delivered to an architect bureau by mistake. Igor, a driver, gets the task to bring it to the right address. From that moment his life becomes a string of paranormal events. The cursed letter invades Igor's life and leads him to a mysterious addressee.
The Envelope
Кензели
Fedor Petrukhin
Polina Soya, Sergey Kempo
Influential businessman Vladimir owns enterprises for the development and sale of technologies that allow you to see the hidden. Around him and his young wife Catherine, events unfold that take them into the past. They witness Felissa Kruut's love triangle in the 1920s and 1930s. In the present, Catherine meets the young musician Stepan and her real love life becomes a reflection of the life of Felissa Kruut in the past. Vladimir, unable to observe from the outside and come to terms with his wife's infidelity, is trying to interfere with this relationship.
Kenzeli
Русалка. Озеро мертвых
Svyatoslav Podgaevsky
Victoria Agalakova, Efim Petrunin
An evil Mermaid falls in love with Marina's fiancé Roman and aims to keep him away from Marina in her Kingdom of Death under water. The Mermaid is a young woman who drowned a few centuries ago. Marina only has one week to overcome her fear of the dark water, to remain human in the deathly fight with the monsters and not to become one herself.
The Mermaid: Lake of the Dead
Родительская суббота
Nataliya Stoltidis
Viktoriya Tolstoganova, Irina Chipizhenko
On Saturday morning, her mother comes to Nadya to take her with her to the cemetery. Nadia has her own plans, but her mother authoritatively pulls her out of the usual schedule. They need to visit the grave of Nadya’s father, whom his mother divorced long before his death. On the way, the mother swears and in every possible way manifests her irreconcilable nature. Nadia suffers, but on the way back, women quarrel violently. Mother slams the door in the middle of the road and leaves, and Nadia pierces the wheel and has to stop.
Ancentor's Day
Русская смерть
Vladimir Mirzoev
Nadezhda Igoshina, Yevgeni Tsyganov
Valya has always been dreaming about living in Venice. She sold her Moscow flat and left. The younger sister, Nadezhda, stayed alone in the country house. After a few years Valya became disenchanted with Venice and returned. Now, "in a Chekhovian way", both sisters live in a house with a mezzanine, this is what you call loneliness together. They became stuck between the past and the present. Behind the gates you find the frightening and incomprehensible everyday life, into which you "enter each time like into an Odyssey". One day Alexey appears, a mature man with an intelligent face. Nadia snatches him but Valya also likes him. A classic love triangle? No, our sisters have very different plans for Alexey…
Russian Death
Время женщин
Inna Shcherban, Vladimir Mirzoev
Polina Aug, Makar Zaporozhskiy
Киноальманах, состоящий из трех новелл, в каждой из которой рассказывается о судьбе женщины, ее надеждах на любовь и превратностях судьбы. Деревенская девушка Мира мечтает о женихе, и вот в их доме на ночлег остается офицер, а Мира вскоре обнаруживает, что беременна… Валя, вернувшаяся из Венеции, где жила два года, знакомится с Алексеем, возлюбленным сестры — и он ей нравится. Вера, балерина на пенсии, преподает йогу в отеле и влюбляется в женатого мужчину. А однажды в их город приезжает с балетом испанский театр… Каждой из женщин придется принимать непростые решения в попытках обрести счастье.
The Time of Women
