Yûko Tanaka
1955 (70 лет)もののけ姫
Hayao Miyazaki
Yōji Matsuda, Yuriko Ishida
Ashitaka, a prince of the disappearing Emishi people, is cursed by a demonized boar god and must journey to the west to find a cure. Along the way, he encounters San, a young human woman fighting to protect the forest, and Lady Eboshi, who is trying to destroy it. Ashitaka must find a way to bring balance to this conflict.
Princess Mononoke
火火
Banmei Takahashi
Yūko Tanaka, Shunsuke Kubozuka
Hibi tells about mother who does pottery and lives rather simple life, growing her children up. She does remarkable job in pottery, finding a new way to make natural pottery in her own tunnel kiln. Then, her son gets leukemia. And entire family has to fight hard to find a donor who has matching bone marrow.
Hibi
Midnight Diner
Joji Matsuoka
Kaoru Kobayashi, Saki Takaoka
A restaurant opens at midnight. Both the menu offerings and personality of the owner draw a series of flawed patrons including Tamako, whose boyfriend has passed away, live-in worker Michiru, and ruckus-raising Kenzo.
Midnight Diner
いつか読書する日
Akira Ogata
Yūko Tanaka, Ittoku Kishibe
Minako (TANAKA Yuko), begins her day running up and down the hills of her hometown delivering milk door to door. When that's done, she heads to her day job as a supermarket cashier. Minako is 50 and single. In one of the houses to which she delivers milk is a man with whom she has secretly been in love since high school. The man, Keita (KISHIBE Ittoku), lives with his wife Yoko, who is terminally ill. Caring for her at home, he works in the children's affairs section of the local municipal office. Though he insists that he wants nothing more than an "ordinary" existence, his life is in turmoil below the surface. The director uses a variety of narrative devises to portray the loneliness, isolation, and hope of these people who have seemingly allowed their goals and dreams to slip away, whilst keeping them agonizingly close to hand.
The Milkwoman
天城越え
Haruhiko Mimura
Tsunehiko Watase, Yūko Tanaka
Japan in the 1940s. A high school boy went into a magic encounter with Ozuka Hana, a geisha (pub-girl) when he traveled through Amagi Pass. A mysterious murder took place afterwards, an Ozuka was held responsible. 40 years later, the boy, who became a printing shop owner, was visited by a retired policeman who came from Amagi Pass. The truth then started to reveal itself.
Amagi Pass
Wuthering Heights
Yoshishige Yoshida
Yūko Tanaka, Rentaro Mikuni
Young Kinu Yamabe is drawn to low-born Onimaru, who is vital and charismatic, but viewed by his father as a demon. After her first period, Kinu suffers the fate of any women born near the Sacred Mountain: she must leave the Mountain and serve as a priestess.
Wuthering Heights
ええじゃないか
Shōhei Imamura
Shigeru Izumiya, Kaori Momoi
The film depicts carnivalesque atmosphere summed up by the cry "Ei ja nai ka" ("Why not?") in Japan in 1867 and 1868 in the days leading to the Meiji Restoration. It examines the effects of the political and social upheaval of the time, and culminates in a revelrous march on the Tokyo Imperial Palace, which turns into a massacre. Characteristically, Imamura focuses not on the leaders of the country, but on characters in the lower classes and on the fringes of society.
Why Not?
はじまりのみち
Keiichi Hara
Ryô Kase, Yūko Tanaka
Keisuke Kinoshita sits easily alongside Ozu, Kurosawa and Naruse as one of Japan’s most respected legends of cinema. Made to commemorate the centenary of Kinoshita’s birth, this biographical drama chronicles formative hardships and personal encounters to provide a rare glimpse into the life of one of Japan’s most acclaimed screen directors. Includes archival footage from 49 of the films he produced during his career at Shochiku.
Dawn of a Filmmaker: The Keisuke Kinoshita Story
Homeland
Nao Kubota
Kenichi Matsuyama, Seiyo Uchino
Jiro Sawada is a sophomore in high school when a false accusation drives him out his hometown: a small village in Fukushima Prefecture. The entire village is abandoned after the 2011 Tōhoku earthquake and tsunami, but Jiro returns there to live. Before long, members of his family come and join him.
Homeland
