
Penny McCann
2021Crashing Skies
Penny McCann
An ordinary rural landscape is transformed into an enigmatic dreamscape. A farmhouse stands in a copper field of scratched emulsion as solarized flares illuminate the sky. Split toned horses amble dreamlike across the frame into inky underexposed blackness. Copper thistles sway in the wind, looming and strangely monumental. The hand-processed 16mm imagery creates an elliptical inner world of memory and dreams.
Crashing Skies
The Sisters
Penny McCann
The Sisters is the haunting tale of the ties that bind women and sisters together. Etched on a gravestone are the stark facts: three sisters who drowned on the same summer day in 1917. A haunting drama about the events leading to their deaths, The Sisters uses evocative and sensual imagery to create a women's tale that is at once both poignant and celebratory.
The Sisters
Expo Film (this film is my memory)
Penny McCann
Using anonymous home movie footage of Expo '67 in Montreal, the artist sets out to recreate a memory that perhaps never existed. Celluloid manipulation and sound decay techniques coalesce to transform a mythic landscape into a sublime expanse of disintegrated memory
Expo Film (this film is my memory)
Lake Ontario (in my head)
Penny McCann
A meditative look at a mutable and hypnotic horizon. Grainy Super 8 imagery, optically printed 16mm footage and an atmospheric soundtrack evoke the stillness of mind reached when standing before expansive sky and water. Filmed at Gibraltar Point Centre for the Arts (Toronto), Lake Ontario (in my head) was created as part of the Liaison of Independent Filmmakers of Toronto (LIFT) Film is Dead... Long Live Film! 25th anniversary commissioning project.
Lake Ontario (in my head)
Lot 22, Concession 5
Penny McCann
Hand-processed 16mm film imagery, tinted, toned, and transformed, is combined with memory fragments of a rural past, to create a poetic narrative about place and time. Filmed at the Independent Imaging Retreat (aka the Film Farm) in Mount Forest, Ontario, in 2008. Experimental sound design by Edmund Eagan and featuring my father's voice, who passed away in 1992.
Lot 22, Concession 5
Phenomena
Penny McCann
An experimental triptych filmed in 16mm and Super 8 over a four year period, Phenomena continues the artist's evolving preoccupation with landscape and celluloid practices. Three scenes are observed: a snowstorm in downtown Ottawa, Canada, a gentle winter thaw on a bog, and the raging Ottawa river during spring run-off.
Phenomena