
Maria Dizzia
1974 (51 год)My Old Ass
Megan Park
Maisy Stella, Aubrey Plaza
Elliott celebrates her 18th birthday with friends and hooks up with longtime crush Chelsea before heading to the woods. There, her future self visits, offering advice and warning her about a boy named Chad. Despite trying to avoid him, Elliott grows close to Chad, complicating her feelings about the future. Through guidance from her older self, Elliott reconnects with her family, accepts the present, and learns to live in the moment.
My Old Ass
Martha Marcy May Marlene
Sean Durkin
Elizabeth Olsen, Christopher Abbott
After several years of living with a cult, Martha finally escapes and calls her estranged sister, Lucy, for help. Martha finds herself at the quiet Connecticut home Lucy shares with her new husband, Ted, but the memories of what she experienced in the cult make peace hard to find. As flashbacks continue to torment her, Martha fails to shake a terrible sense of dread, especially in regard to the cult's manipulative leader.
Martha Marcy May Marlene
Whose Dog Is It Anyway?
Cindy Chupack
Sarah Paulson, Christina Brucato
A charming and comic New York tale about Emma, single, successful, and not a dog person, who gets stuck with a dog because her younger married sister is pregnant with twins and moving into a dog-free apartment. Her sister insists the dog is a good luck charm - he will help you find a man. And this turns out to be true... for Emma's assistant.
Whose Dog Is It Anyway?
Late Night
Nisha Ganatra
Эмма Томпсон, Mindy Kaling
A legendary late-night talk show host's world is turned upside down when she hires her only female staff writer. Originally intended to smooth over diversity concerns, her decision has unexpectedly hilarious consequences as the two women separated by culture and generation are united by their love of a biting punchline.
Late Night
Keep the Lights On
Ira Sachs
Thure Lindhardt, Zachary Booth
Documentary filmmaker Erik and closeted lawyer Paul meet through a casual encounter, but they find a deeper connection and become a couple. Individually and together, they are risk takers — compulsive, and fueled by drugs and sex. In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity and to be true to himself.
Keep the Lights On