Villor Kuznetsov
1934 - 2013В 2005 году сыграл в «Современнике» роль Фирса в спектакле «Вишнёвый сад».
Умер 29 мая 2013 года.
Tale About Czar Pyotr Arranging Arap's Wedding
Aleksandr Mitta
Vladimir Vysotsky, Aleksey Petrenko
Peter the Great takes a Russian man of African heritage - Ibrahim Petrovich Hannibal - under his wing as the tsar builds his grand navy. After having a disastrous affair in France, Ibrahim vows to never fall in love again, until he sees the daughter of a wealthy boyar. Peter the Great insists the two be married, but Ibrahim goes against the tsar's wishes, refusing to force her to marry him since she doesn't consent. When another man tries to marry her, however, Ibrahim's loyalties and generous nature are put to the test.
Tale About Czar Pyotr Arranging Arap's Wedding
Thirty-three
Georgiy Daneliya
Evgeni Leonov, Nonna Mordyukova
The dentist of the provincial town of Upper Yamki made an unexpected scientific discovery by finding the thirty-third tooth in the patient’s oral cavity, Ivan Sergeyevich Travkin. Travkin, exhausted from pain, was taken to Moscow. Ivan Sergeyevich first becomes a patient of a madhouse (thanks to envious persons), and then — a hero of a scientific international conference and, finally, a patient of a dentist professor Bruk.
Thirty-three
Посредник
Vladimir Potapov
Olesya Sudzilovskaya, Andrey Tarasenko
In an ordinary industrial Soviet town, notable only for presence of a radio-telescope, people start behaving strangely, in a robotic manner, while assuming geometry-inspired aliases and organizing into a new hierarchy. The phenomenon spreads via a device of alien origin, called “the mediator”, capable of implanting extraterrestrial minds into human bodies. The aliens are bound by limitations of the terrestrial technology, having to use the means at the disposal of humans to prepare the grounds for the full-scale invasion. With “the mediator" being unable to subdue minds of children, lunatics, geniuses, and rebels, a struggle over the fate of the town and the human civilization ensues.
The Mediator
День полнолуния
Karen Shakhnazarov
Anna Germ, Andrei Panin
Day of the Full Moon, a series of vignettes from Russia past and present, summons the spirit of Ophuls’ La Ronde, Altman’s Nashville and Short Cuts, and the time-shifting strategies of Resnais (Mon Oncle d’Amérique) to tell provocative, connected stories illustrating the waltz of years and whim of memory. In 1948, a young man, a boy, and a waiter are captivated during the full moon by a mysterious woman in a lilac dress. The effects of this event ripple across the years, washing over more than 80 characters, including a disc jockey, a fairy princess, a gangster, Alexander Pushkin, and a nostalgic dog. But which of these are dreams, and which reality? Director Shakhnazarov continues his career-long focus on the intersection of past and present with this mysterious, exhilarating mosaic of humankind, which in the end both seduces and satisfies.
Day of the Full Moon
