Carlos Reygadas
1971 (53 года)Gadające głowy 2021
Jan P. Matuszyński
Irène Jacob, Pema Tseden
The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.
Talking Heads 2021
En ningún lugar, Don Luis Buñuel
Laurence Garret
Jean-Claude Carrière, Denis Lavant
Denis Lavant reads long passages from Luis Buñuel's semi-autobiographical "My Last Sigh". From this text, without film excerpts, Laurence Garret travels in the footsteps of Buñuel, from Calanda to Zaragoza, Madrid to Toledo, Spain to Mexico.
En ningún lugar, Don Luis Buñuel
Our Time
Carlos Reygadas
Carlos Reygadas, Natalia López
A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. Although in an open marriage, their relationship begins to crumble when Esther falls in love with an American horsebreaker and Juan is unable to control his jealousy.
Our Time
Post Tenebras Lux
Carlos Reygadas
Adolfo Jimenez Castro, Nathalia Acevedo
Juan and his urban family live in the Mexican countryside, where they enjoy and suffer a world apart. And nobody knows if these two worlds are complementary or if they strive to eliminate one another.
Post Tenebras Lux
Battle in Heaven
Carlos Reygadas
Marcos Hernández, Anapola Mushkadiz
Set in Mexico City, Carlos Reygadas's sexually explicit drama centers on a man in turmoil over his past actions. Chauffer Marcos feels compelled to reveal a dark secret to his boss's daughter, Ana, a wealthy woman who works as a prostitute just for the thrill of it. Marcos confesses that he and his wife committed a crime that ended in horrible tragedy. Haunted by his past, Marcos searches for redemption.
Battle in Heaven
Por la libertad
Laurence Garret
Carlos Reygadas
In this portrait, Mexican light master Carlos Reygadas (Post Tenebras Lux, 2012) seldom addresses the camera directly, but allows himself to be filmed during his first commercial assignment. An unexpectedly playful approach from this solitary filmmaker, in which his driver has as much to say as he does.
Por la libertad