John Price
2021Domashnyee Kino
John Price
Photographed over 4 years in and around the house with a 35mm movie camera and a variety of odd film stocks that had been aging in the uncontrolled conditions of the basement, 'domashnyee kino' is a home movie on many levels. It follows the passage of my two children coming to an ever increasing awareness of the world... It traces the flow of light and sound through their environment... It is a celebration of the way light bends through a piece of glass (in this case a couple of 70's era russian anamorphics) and how this light transforms the surface of an emulsion into an impressionist representation of these moments. The camera films were processed at home in the basement and printed optically on a beautiful Oxberry 1700. Some of the printed material was processed by hand and some was run by Sebastjan at NIagara Custom Lab.
Home Movie
Desert Series II – Payogasta
John Price
Filmed along the border between Argentina and Chile, "Desert Series II – Payogasta" is the next chapter in Price's luscious landscape project, "Sea Series" (2008-2016). Price makes use of the optical and mechanical possibilities of analog cinema, and the incredible landscape of the Andean mountains to create alchemical spells that swirl across the screen. Desert Series II – Payogasta is one of a few new films created by this celebrated avant-garde filmmaker, as part of Media City Film Festival's Underground Mines project.
Desert Series II – Payogasta
Sea Series #5-Georgian Bay: A Survey of Littoral Recreation
John Price
In-camera experimentation as the sun set in a beautiful part of the world with loved ones close at hand. In this idyllic space, I could not help but wonder about the sustainability of the experience... clean air & fresh water... loving children... film stock for my camera. In this light it became a multi-dimentional anthropology.
Sea Series #5-Georgian Bay: A Survey of Littoral Recreation
Passages
John Price
A winter-time journey from Switzerland to Turkey provides a poetic context for reflection. From the bustle of old Constantinople to the deserted Greek and Roman ruins strewn across the Mediterranean and Aegean coasts - quiet observations of past and present, tradition and modernity, innocence and beauty converge to create a meditative space for considering the impermanence of civilization. Shot in black-and-white, the images were processed by hand and edited over a two-year period.
Passages
The View Never Changes
John Price
Seething grain and swirling textures of Super 8 processed in a pail. Film as memory ... an elaborate reconstruction perpetually shifting through the course of time. And so is this ... a personal recollection of the intensity of what it may have been like to be a child.
The View Never Changes
