Jun Kurosawa
2021猫耳
Jun Kurosawa
Micari, Rie Yamauchi
Experimental film in which three girls and one boy lead playful lives. Just as a game, in which the course is determined from beginning to end by certain rules, can be played time and again, their lives are also endless repetition. This eventually results in a loss of a sense of time, for past and future. The four are permanently surrounded by cameras and projectors. In this way we see how photos are repeatedly taken of one of the girls and the boy keeps staring at a film screen. Everything which cannot be repeated is the object of their hatred. One day a woman appears in their lives and wants to die. The four try to involve her in their game, but the opposite happens: the fact that the woman is different disrupts their self-made world. Having playacted a funeral for the woman, they become more and more entangled in their own game.
NEKO-MIMI
Un ange passe
Jun Kurosawa
PAVLOV, Aki Kaito
Un Ange Passe (idiom: "used to indicate that one has noticed a long silence, especially a pause in a conversation") is a science fiction about a girl who survived after a nuclear fallout at the end of 20th century. She tries to communicate with others by using a future gadget, but she misunderstands the contacts from others as a delusion and makes an imaginary character in her mind.
Un ange passe
BYE-BYE
Jun Kurosawa
Experimental animation about the memory of childhood. 1 or 2 second paint footage that shot a baby who turned his face is repetitive. In Jun Kurosawa's works, the childishness is one of the most important factors. And it includes malicious in some cases – as Yukio Mishima has said "It is infantilism that all creative womb is".
BYE-BYE
悪趣味な私の一人称
Jun Kurosawa
The view of an amusement park that's shot by a fixed camera changes into an uncanny one by painting directly onto celluloid and strange sounds. It is an attempt to approach the inner world through the common view by private eye of the author himself.
MONOLOGUE IN MY BAD TASTE
