Rhoma Irama
1946 (79 лет)Starting from the late 1960's, he began his musical career as Oma Irama as a part of the pop band Orkes Melayu Purnama, pioneering several dangdut music elements. He then formed his band Soneta Group, achieving multitudes of musical successes with groundbreaking dangdut style which incorporates Western, Malay, and Bollywood influences.
From the late 1970s, he began transforming into more Islamic-oriented style, commanding the religiously pious popular music culture. During the height of his stardom in the 1970s, he was dubbed "Raja Dangdut" ("the King of Dangdut") with his Soneta Group.
Dawai 2 Asmara
Asep Kusdinar, Endri Pelita
Rhoma Irama, Ridho Rhoma
Ridho, who is studying overseas, is called home by his father, Rhoma Irama, to continue his struggle of giving "a new style" to Dangdut music. But Ridho is undecided about going back to Thufa, his love from junior high school or to stay with his new love, Haura, an Australian college student who is researching dangdut music. Meanwhile, Thufa is asked by Delon, a talented young singer, to get engaged. Their lives are complicated by Bruto, an obsessive fan of Rhoma Irama, the king of dangdut of Indonesia.
Dawai 2 Asmara
Satria Bergitar
Nurhadie Irawan
W.D. Mochtar, Soultan Saladin
In a neverland, King Wasit Aron organises forces to reclaim his throne that was seized by Abu Garin. The greedy Abu Garin is not satisfied, as he still wants to marry Wasit's daughter, Tirza, and get Wasit’s sacred stone. The battle between their two forces continues to go on. Then, King Wasit meets Rhoma, a wanderer who is always carrying a guitar. After the wanderer shows his power in fighting and his skill in healing the wounds of the King's daughter, Tirzah, King Wasit and his followers are successfully persuaded by Rhoma to convert to Islam.
Satria Bergitar
Jaka swara
Lilik Sudjio
Rhoma Irama, Camelia Malik
Jaka Swara witnesses the slaughter of his parents by John Da Costa’s gang, a Portuguese who still controls a remote area. Jaka Swara painstakingly learns martial arts to seek revenge. When Fatma, is held captive by Da Costa, it spurs Jaka into action. Rhoma Irama’s rôle as Jaka is somewhat different from his norm due to the nature of the action film. He sings five songs for the romantic scenes.
Jaka swara
Nada dan Dakwah
Chaerul Umam
Rhoma Irama, W.D. Mochtar
The people of Pandanwangi village are upset at news that their land will be appropriated by a large conglomerate. Conflict over the land emerges and escalates between the villagers and representatives of the conglomerate. The villagers have come to view the situation as more of a matter of morality than of land ownership after finding out that a bar and billiards center will be built there. The head of the village’s Islamic boarding school, H. Murad, who is assisted by H. Rhoma, attempts to influence the villagers to refuse to sell their land. Eventually, the charismatic religious leader KH Zainuddin MZ succeeds in mediating the conflict, and even influences the conglomerate owner, Bustomi (WD. Mochtar), to rethink his plans. The land conflict theme of this film is interesting in that it reflects the social issues arising out of the rapid pace of development of the time. This may be Rhoma Irama’s best film, even though it was not very popular.
Nada dan Dakwah
Nada-Nada Rindu
Muchlis Raya
Rhoma Irama, Camelia Malik
After failing to beat Rhoma in both music and women, Ramlan uses other cunning tricks. He does a duet with Camelia Malik aka Mia that is a huge success even though she is dating Rhoma. Ramlan proposes to his producer, Niko, to draw Mia out of their rival record company. Niko agrees with him. Hence, Ramlan gets his girlfriend Maya, who is addicted to drugs, to seduce Rhoma, and to drug Rhoma’s drink. When Rhoma is unconscious, Maya and Rhoma are photographed together in bed. The images are distributed to the newspapers, where it becomes a huge gossip. Then Mia is drawn to Niko’s company. Maya, who truly loves Ramlan, catches him in the act when Ramlan is about to rape Mia. Maya reveals the secret to Mia. Meanwhile, Rhoma, who is devastated, withdraws to his teacher’s place. There he is advised to change his name and start again from zero. Rhoma’s new persona is Zulfikar and he successfully receives a recording contract from Niko for his vocal similarities with Rhoma.
Nada-Nada Rindu
Darah Muda
Maman Firmansyah
Rhoma Irama, Yati Octavia
Rhoma and Ricky not only have a different taste in music but also differ in the way they live. Rhoma tries to promote Dangdut music and has a religious life, while Ricky likes rock and has a reckless and free lifestyle. Ricky, who is also a good boxer, joins the group, Apache, and becomes the lead. He becomes angry when he hears that Rhoma’s music group has a successful performance in Jakarta. Ani, who was a singer in the Apache group, starts to change. She prefers Rhoma and is getting tired of all the drinking and drunkenness. Rhoma and Ani start dating and get engaged. Conflict between the two groups becomes heated. Rhoma is tortured and his hand crushed so he cannot play guitar anymore. Wounded, Rhoma goes to a teacher in a secluded village. Here, his wound is healed and he is taught martial arts. After returning from the village, he finds that Ricky is raping Ani. So a final fight ensues, and this time it is Rhoma’s turn to crush Ricky’s hand.
Darah Muda
Begadang
Maman Firmansyah
Rhoma Irama, Yati Octavia
There is a street food stall in a village where unemployed men hang around, singing and gambling. Ani’s parents and Heri’s father, a judge, are angered by the gambling. But Rhoma, son of a poor widow, often sings his self-composed songs there, as he is still unemployed. A friend suggests that he should go to a recording company. He succeeds and his songs are hits. Then Heri falls in love with Ani, Rhoma’s girlfriend. So he conspires with the friends that he often gambles with at the eatery, and when Rhoma tries to help a hostess who has been killed, he is instead accused as the murderer and jailed. In the end, the true murderer is discovered, and Rhoma and Ani can be together again.
Begadang
Oma Irama Penasaran
A. Harris
Rhoma Irama, Yati Octavia
A dangdut singer, Oma, is dating Ani, the daughter of a plantation owner. But the girl's father tries to stop their relationship. Then Oma leaves for Jakarta and finally he becomes a major hit. Meanwhile, Ani runs away from home and her parents are worried but the story ends happily.
Oma Irama Penasaran
Pengorbanan
Maman Firmansyah
Rhoma Irama, Ricca Rachim
Rhoma and Rika have a steady relationship. But it is hard for Rika to refuse her father’s request for her to study abroad. Rika and her best friend, Ani, both hide each other’s respective boyfriends as Ani had a bad relationship experience in the past. On Ani’s birthday party, something unexpected happens when both, Rike and Ani, discover that they have the same boyfriend. Rika then concedes that Ani is the one for Rhoma so she fulfils her parent’s expectation to continue her studies abroad.
Pengorbanan
Badai di Awal Bahagia
Muchlis Raya
Rhoma Irama, Ricca Rachim
While driving his car, Rhoma sees some car robbers in action. He notifies the police through radio and directly confronts the robbers. Shortly after, the police arrive and arrest the robbers. As a result, Rhoma and his wife are persecuted. Their son, Dedi, is kidnapped and they are asked for ransom. Rhoma does not inform the police for fear of his son’s safety. He carries the ransom by himself which they consider too small. They demand that Rhoma robs a bank. This incident shocks the public, especially when several newspapers label Rhoma as the ringleader. Rhoma is furious. He cooperates with the police to apprehend the gang of robbers.
Badai di Awal Bahagia
Perjuangan dan Doa
Maman Firmansyah
Rhoma Irama, Ricca Rachim
Rhoma Irama and his Soneta Group visit various regions to preach religion. He receives both warm welcomes and accusations of commercialising religion. This challenge becomes Rhoma’s struggle. He tries to persuade his fellow professionals to avoid drinking and women. He also manages to help his future father-in-law who almost rapes Laila, his own daughter, in a drunken state. Despite opposition from the Al Muthainah college, Rhoma manages to convince them that music can be used as a means of preaching. Rhoma sings no less than seven preachy dangdut songs in this film.
Perjuangan dan Doa
Gitar Tua Oma Irama
Maman Firmansyah
Rhoma Irama, Yati Octavia
The wedding plans of Oma and Ani are shattered due to the presence of Ir. Dana in the plantation where Ani’s father works. As her father is ambitious and wants a higher position, he wants Dana to become Ani’s husband. Ani works in the plantation as a secretary and Dana is interested in her but she does not reciprocate. Ami and Oma are having a long-distance relationship and things start to change when Oma does not come on her birthday. So she goes to Jakarta and finds Oma in the middle of persuading his singing partner, Shanty, who is sulking, to finish a recording. Suspicious and jealous, Ani goes straight home and decides to marry Dana. Oma is shocked to receive the invitation. He goes home and the root of the problem is uncovered.
Gitar Tua Oma Irama
Cinta Segi Tiga
Yung Indradjaya
Rhoma Irama, El Manik
Rhoma is a successful musician, while his elder brother, Dendy, is a successful engineer. Then Rhoma starts a relationship with Rika, the daughter of Alwi, who is the best friend of Rhoma’s father, Hadi. One day, Hadi comes to ask Alwi for Rika’s hand in marriage. Rika mistakenly thinks that proposal comes from Rhoma, but it is Dendy who is proposing. Rhoma, who is currently having a show out of town, is very happy to hear about his brother’s engagement. He decides to rush home, even when his contract with the show has not yet completed. But Rhoma gets into an accident and loses his sight. So when he meets Rika, who has changed her name to Mira, he does not recognise her, not even from her voice. When Rhoma is recovering at the end of his treatment, Rika runs away. When she crosses the street, she is hit by a car and dies. Rhoma is there to witness it all.
Cinta Segi Tiga
Tabir Biru
Hasrat Djoeir, Muchlis Raya
Rhoma Irama, Ria Irawan
Rhoma (Rhoma Irama), succeeds in rescuing a young woman, Maya (Ria Irawan), who was forced into making pornographic movies by a gang led by Santos (Leroy Osmani). This causes tension between Rhoma and his wife, Aida (Ida Iasha), who misunderstands the situation. In the meantime, Rhoma is abducted by the Santos gang to exploit as a partner for Maya in a pornographic film. Everything turns out all right for Rhoma, Aida and Maya.
Tabir Biru
Menggapai Matahari 2
Nurhadie Irawan
Rhoma Irama, Yati Octavia
In this sequel, the preceding romance between Rhoma and Kartika, is explored. Although Rhoma is imprisoned, Benny Compo is not satisfied with the situation, while the Rhoma’s band is in shambles. Benny’s group controls the stage with uproarious music. After his release, the conflict extends to a confrontation between two musical genres. Both bands decide to have a duel on one stage. Rhoma takes six songs, while Ikang Fawzi sings two songs.
Menggapai Matahari 2
