Pegah Ahangarani
1984 (41 год)
شیرین
Abbas Kiarostami
Tarane Alidousti, Pegah Ahangarani
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.
Shirin
ورود آقایان ممنوع
Rambod Javan
Reza Attaran, Vishka Asayesh
In order to prepare her best and brightest for the upcoming chemistry Olympiad, strict, conservative headmistress Ms. Darabi is forced to break her lifelong rule of not allowing male teachers in the school and reluctantly hires the bumbling Mr. Jebeli. Little does she know though that several of her students, led by the self-assured Paria, have a plan to get her to fall in love with him. 'No Men Allowed' is a hilarious, rollicking romcom, chock-full of witty dialogue and zany antics that will have you coming back time and time again!
No Men Allowed
زندان زنان
Manijeh Hekmat
Roya Nownahali, Roya Taymourian
Spanning 18 years in an Iranian women's prison, this follows two women: the new prison warden, a tough as nails devout Muslim who has served in the army on the Iraqi front, and a young midwife, Mitra, who is serving her sentence for killing her mother's abusive husband. In the early years, Mitra is repeatedly punished as the warden tries to break her. This includes punishment for delivering a baby in the prison cell while all of the prison staff has taken shelter during an Iraqi bombing. The warden's attitude starts to change after 8 years, when Mitra tries to protect a new inmate from rape at the hands of her older cellmates. When the baby comes back in 1991 as a 17 year old delinquent, Sepideh, the warden respects Mitra enough to protect the girl.
Women's Prison
دربند
Parviz Shahbazi
Pegah Ahangarani, Behrang Alavi
This fascinating moral thriller is centered on the bristling relationship between two very different young women in contemporary Tehran. Nazanin (Nazanin Bayati) is a determined first year medical student. Since there is no free space in the university dorm and Nazanin does not have much money, she is obliged to share an apartment with Sahar (Pegah Ahangarani), a party lover who works in a fragrance shop. Sahar badly wants to migrate from Iran, so she’s borrowed money from a man in the bazaar. When this man makes an opportunistic complaint against Sahar, she is imprisoned. There have been some very some rocky times between the two roommates and their conflicting lifestyles, but Nazanin will now do everything she can to have her friend released.
Trapped
Dokhtari ba Kafshhaye Katani
Rasoul Sadrameli
Pegah Ahangarani, Majid Hajizadeh
In love with a teenage boy, Tadaei leaves home in the morning heading for school but decides not to go to school and instead starts wandering in the streets of Tehran. She makes up her mind not to return to home and run away with her lover, because of her parents' reaction to her having a boyfriend but meandering in the city, she gets into some troubles that make her change her mentality of love and inevitably her pathway
The Girl in the Sneakers
آتش سبز
Mohammad Reza Aslani
Ezzatolah Entezami, Mahtab Keramati
Based on an ancient story Sang-e Sabor it's the story of a girl Nardaneh who one day hears a voice telling her that soon she will marry with a dead man. One day she enters a castle and in one of it's room finds a dead body with a book beside it. She begins to read the book and follows the instructions step by step.
The Green Fire
جامه دران
Hamidreza Ghotbi
Mahtab Keramati, Baran Kosari
The depressed Shirin wanders around at her father's funeral. Unexpectedly, she sees a man very much like her father. Regardless of her uncle's objection, Shirin is enchanted by the idea of finding out that man. Reluctantly, her uncle acknowledges that the man is her father's illegitimate child. Looking at gloomy daughter, Shirin's mother tells her about some past events, especially about an unexpected truth that Shirin is her father's adopted daughter. It seems to be clear that Shirin and that man have no blood bond. But her father's mistress tells a different story.
Jameh Daran
3 zan
Manijeh Hekmat
Niki Karimi, Pegah Ahangarani
Forty-something single mother Minoo is a product of the Islamic Revolution, a generation of women repressed by changes in law under the new Islamic Republic. Her daughter Pegah is a rebellious youth, part of a generation in search of an identity they're yet to find. Together they live with Minoo's mother - three women of three different generations, living in the past, present and future. When Pegah takes off on an existential journey, Minoo realizes she needs to reconnect her fracturing family, and sets out to find Pegah - encountering a myriad of Tehran characters, including an improvisational indie rock band. Things take a turn for the worse when she loses her mother along the way.
3 Women
