Suzuki Shiroyasu

夢の島少女

Suzuki Shiroyasu, Sasaki Shoichiro

Sachio Nakao, Kenji Yokokura

A boy helps an unconscious girl by the river. The girl wakes up, but there is little conversation between the two, and the past emerges as a girl's memory. A girl with a broken heart and a lonely boy. The boy recalls the girl's thoughts and gets lost in the memory of the intersecting girl. Or is it a boy's memory? A unique drama that intuitively visualizes beyond the concept of time and space. Written and directed by Shoichiro Sasaki. The debut work of Yukiyo Nakao as the heroine.

風を追って

Suzuki Shiroyasu

Camera turns on, the film runs and the wind occurs. A work that follows the wind, chases the image, and goes far to the image of Africa. A movie that talks about the fact that the wind carries words. The music was borrowed from an African folk music album.

夏休み鬼無里に行った。

Suzuki Shiroyasu

In the summer of 1975 I went to a farmhouse in KINASA Village - Nagano with my best friend Toda's family. Summer vacation sketches with a sense of intimacy. The main focus is on talking about the hearts of urban people who are attracted to nature, such as the color of flowers, the beauty of sunlight through the forest, and the fire of the colors. Music borrowed from Western album.

あじさいならい

Suzuki Shiroyasu

Film by Shirouyasu Suzuki, 1985, 16mm, 54min

隠喩の手

Suzuki Shiroyasu

Each person lives a different life, but the hand seemed to be a metaphor for that person's life. In other words, I thought that the life of the person would be determined by what he had. I pick up a fountain pen and stuff the film by hand. This tells my life. I made such a thought into a work.

15日間

Suzuki Shiroyasu

Forcing himself to confront his own 16mm camera each day for over two weeks, Suzuki Shiroyasu initially seems to regret his own idea and indulges in very recalcitrant behaviour. Not until halfway through the project does he address the camera more candidly and start to question his own identity, as well as his relationships with his own milieu and other social structures.

Impressions of a Sunset

Suzuki Shiroyasu

A diary film composed by images where the director, after buying a CineKodak 16 (a pre-war 16mm camera) at a second hand camera shop, starts filming his wife, his newborn baby and his workplace.

オブリク振り

Suzuki Shiroyasu

Harumi Kawaguchi, Toshiharu Kishi

I went out of the room and chose two poets as "objects". One is Harumi Kawaguchi, who worked for a trading company at the time and was a dealer for buying and selling yen and dollars. The other is Toshiharu Kishi, who raises and lives dairy cows deep in the mountains of Yamagata. I sketched their lives and had them read their own poems.

荒れ切れ

Suzuki Shiroyasu

Nejime Shoichi

This work was made as a "myth" with the poet Nejime Shoichi as the main character. Nejime Shoichi, who aims to be a reading poet, rides a train to visit senior poet Iwao Abe and asks for the secret of reading. Nejime Shoichi is good at being "naked".