Tracey Emin
1963 (61 год)George Michael: Freedom
David Austin, George Michael
George Michael, Naomi Campbell
This documentary covers the span of George Michael's entire career, concentrating on the formative period in the late Grammy® Award winner’s life and career, leading up to and following the making of his acclaimed, best-selling album “Listen Without Prejudice Vol. 1” and his subsequent, infamous High Court battle with his record label that followed, while also becoming poignantly personal about the death of his late partner and first love, Anselmo Feleppa.
George Michael: Freedom
Gaga for Dada: The Original Art Rebels
Simon Lloyd
Vic Reeves, Neville Brody
To celebrate the 100th anniversary of the birth of the surreal art movement, comedian Jim Moir (a.k.a. Vic Reeves) presents this documentary exploring the history of Dadism and the lasting influence it has had on himself and others.
Gaga for Dada: The Original Art Rebels
Emin/Munch: Between the Clock and the Bed
John O'Rourke
Tracey Emin
This documentary charts the affinities between Edvard Munch’s art and Tracey Emin’s, exploring the many unexpected ways that this godfather of expressionism resonates with one of Britain’s pre-eminent artists.
Emin/Munch: Between the Clock and the Bed
Rachel Whiteread: Ghost in the Room
Morag Tinto
Alan Yentob, Rachel Whiteread
An intimate portrait of British sculptor Rachel Whiteread as she unpacks her life's work for a major retrospective at Tate Britain in London. Her work explores themes of memory and absence, casting sculptural forms from familiar domestic objects small and large, from sinks and hot water bottles to living rooms - and a terraced house.
Rachel Whiteread: Ghost in the Room
Why I Didn't Become a Dancer
Tracey Emin
Tracey Emin
Emin uses her emotional life as the source and subject matter of her art. This takes the form of narrative or documentation of traumatic events such as the death of a family member or close friend, her rape and her abortions, coupled with the direct expression of such feelings as love, hate, anger, fear and desire. By sharing thoughts and feelings of the type for which people are generally made to feel ashamed, Emin taps into collective experience in an affirmative way.
Why I Never Became a Dancer
Tracey Emin C.V. Cunt Vernacular
Tracey Emin
Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate
Tracey Emin C.V. Cunt Vernacular
