
Hui-ju Hsu
2021臨時工
Hui-ju Hsu
Yong-hong Shih, Zong-yi Li
The factories which were abandoned, the temporaries who were employed on a temporary basis, and the words were painted on the edge of the wall of the city. They were dirty humble but very strong, it reflects the real situation of "workers" in the social class. These factories, workers, and wall were utterly discarded after being used up, without any responsibility and affection. They were "relics" of the modern industrial process, and now left behind in the edge of the city and barren. We try to record the imminent disappearance of these graffiti walls, abandoned factories, are the temporary workers in an atypical way. Because of these images usually remind us that the city hides a group of incomplete consciousness and the body, they are in the search for a possible survival, a possible aesthetic, a desolate before the disappearance.
Temporary
Hard Good Life
Hsu Hui-ju, Hui-ju Hsu
An elderly man cooks himself some noodles and eats them straight from the pot while watching TV by himself. He dozes off at his job as a security guard. Alone since the death of his wife, the father’s daily life is filmed by his daughter. While turning her gaze on ordinary things like garbage, keys, puppies, flies and lizards, we can almost sense the strong smells of summer and the sound of thunder at night. Suddenly, the father turns and waves to us. The father-daughter bond is expressed here in very few words.
Hard Good Life
穿越時空的紅色大門
Hui-ju Hsu
The military dependents' village is a special historical product of Taiwan. Contained the cultural identity in its unique space. Now, as the years change, we will once again witness the new occupants built up a new life aesthetic along with the process of the repair and relocation. In the interaction between old and new, continue and innovate the life style and life memory of the village.
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