Stefano Knuchel
1966 (60 лет)Hugo en Afrique
Stefano Knuchel
Hugo Pratt, Jean-Luc Bideau
When Hugo Pratt passed away in 1995, he was holding an Ethiopian cross in his left hand. In order to understand his enduring love of the black continent, Hugo Pratt’s companion, Jean Claude Guilbert, together with a group of like-minded people, searches for traces of him in the Horn of Africa. Thanks to their efforts and invaluable audiovisual archive material, a new picture of this remarkable artist and his attitude towards Africa begins to emerge.
Hugo in Africa
Hugo in Argentina
Stefano Knuchel
Giancarlo Giannini
A promising Italian cartoonist lands in Buenos Aires in 1950, with the dream of reaching the United States, to discover that, for him, America will be Argentina. The country immediately overwhelms him with its massive economic boom and a cultural scene among the most vibrant in the world. We are at the dawn of Argentina's most delirious decade, and the young immigrant feels that the vast promise of this country is within his grasp. His name will indeed make itself known: Hugo Pratt.
Hugo in Argentina
Unrueh
Cyril Schäublin
Stefano Knuchel, Valentin Merz Tanören
In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement ("unrueh") of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.
Unrest
