Natalia Sadovskaya
2021Рваные башмаки
Margarita Barskaya
Mikhail Klimov, Klavdiya Polovikova
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.
Torn Boots
Весенний поток
Vladimir Yurenev
Valentina Serova, Sergey Dneprov
After graduation, Nadia Kulagina comes to work in a school where she once studied. After her appearance, the most hopeless student Dimka Lopatin, who was even wanted to be expelled from school, becomes one of the best students and a faithful friend of the new class teacher.
Spring flow
Мичурин
Alexander Dovzhenko
Vladimir Solovyov, Grigori Belov
About the life of the Russian biologist Ivan Michurin. 1912 year. Having rejected American offers to work abroad, Michurin continues his research in the Russian Empire, despite the fact that his ideas are not perceived by the tsarist government, the church and idealistic science. Michurin is supported by prominent scientists of the country and he continues to work hard. After the October Revolution, a small Michurin garden in the city of Kozlov (the biologist's homeland) becomes a large state nursery.
Life in Bloom
